POP-001 - The Pantheon of Gods

Welcome back. Tick-tick-tick! The counter is down to 90 days. What do I got? 

A lot more and less than what I need. First, let me do a shout-out to Evlyn Moreau over on Dice.Camp. You can also find her on:

patreon.com/evlynmoreau
https://ko-fi.com/M4M85ZSV
https://evlyn.itch.io

She sent me a collection of jungle-theme images, which will go in POP-001. So I'd better get this thing done. 

One item that stands out in this work is that I must devise a pantheon of gods. Typically, I don't do whole pantheons of gods in my campaigns. I let the players tell me about what gods they know. 

It's easier that way. The alternative is: "Hey... can you fit your character in this tiny box you can see? Perfect!" 

When roughing out a campaign, I will typically have the barest minimum of divine beings. I'll have one God of Light, one of Dark, one in between, and one alternative choice that doesn't fit within these three groups. The last category is for the first NPC cleric or druid the characters encounter and it is a hint that the players can be creative in what they believe. 

When I have a city where a large number of different people reside, there is a Temple Row. I keep the gods non-descript unless someone asks me about them. Invariably, the players will come up with a god that won't fit any of my description and I will have to wing it.  

I personally love this trick. 

As the players search the Temple Row, they will not find a temple to their god but they will have a feeling that they are in the presence of something powerful and familiar. If they continue searching, they will find a place that feels right. An NPC will mention this is "the place of the lost ones" and if the character makes an offering or prayer in this space, they will find a path to their God's temple. For a while, they will be able to interact on a personal level with this space, describing it to me. When they have given me a good idea of what it is like, I let them leave. As they exit, that temple, their temple bends and warps reality until it becomes real. Even if the row, the road, the city, or even the world itself has to get bigger to accommodate it. 

Players often find this experience wonderful. 

An AI rendering of a Moon Goddess

This is a consequence of my trying not to impose my will on the players, nor waste time creating stuff that will never be used. It's cool if the players hop right into my world, but I can't expect this outcome and need to invoke a bit of magic. 

Revenants of the Lost Temple must be different than what I am used to doing. I lead with "its a temple". It must follow that I must have gods here. These creatures will be cameo actors to be sure as the module is created for first to third-level characters. I need them to be unique avatars for a whole culture that vanished. 

I have selected a couple of ideas for them to embody. A goddess of the sea, a god of the land, a goddess of the Moon, and a god of the Earth. That sounds like a good AI photo prompt. 

It's pretty... pretty much not what I wanted. As I flesh these beings out, I will post updates over on my Ko-Fi page. Why don't you follow me there? 

New Project on Ko-Fi

As you have probably noticed, there have been changes to the front page of These Old Games. Gone are some of the ads and they have been replaced by a Support Me on Ko-Fi. 

Rather than looking at my blog as a revenue stream, I would like to fund a project that does not yet rise to the level of a Kickstarter while being slightly more developed than These Old Games can support. This project is called: 

I had originally intended it to be D&D campaign book, but in light of the OGL 1.1 disaster, it has been pared back to a rule system agnostic Campaign Handbook. A fictional travel log for adventurers. I have posted sample maps here plus some background information. I am currently in the process of moving that data over to my Ko-Fi project page.  

The benefits of this are two-fold. I have been running ads on These Old Games for years and that has become problematic. First, ads interfere with the reader's enjoyment of the site. Second, ads cannot fund a project of this scale. Most readers are likely to click an ad for DriveThruRPG while ignoring ads for other websites. 

To this end, I will be working to eliminate all Non-DTRPG links. This is a big project in and of itself. I wish I could say "this blog is ad-free," but I am not there. In fact, I think that completely removing all ads including the DTRPG ads might not support the gaming community. I like to push people to great products, which is difficult when DTRPG hosts so many great projects. 

So, what is up with Ko-Fi? 

I guess this is the portion of the blog where I sadly admit that I'm not quitting my day job to produce content. That is not the intent of this project. 

I am using Ko-Fi to get this project off the ground by raising a modest amount of support while being accountable to a community. This is not an exchange of funding for specifically targeted content. It is to keep on track to complete a PDF that will eventually be sold. Ideally, if this project is successful, it could become a Kickstarter for physical books. That is my goal, but it all seems very far away. There is so much content creation between now and then that I have a hard time picturing the end. You are not funding a book, you are funding me to write a book. Or three. 

To that end, I have five-ish different "levels" over on Ko-Fi. Following me is the first step and level. There is no cost to following me on Ko-Fi. You will not see every post, but I hope you see enough to decide to hit that support button. The next level is a one-time tip or donation. This is where you throw some change in the tip jar. Like a follower, it really confers no Ko-Fi benefits beyond knowing you chipped in to make this happen. 

Next are the paid tiers, at $3, $5, and $10. Starting at the bottom, The Southern Tier (yes, a pun), you will be joining my Community and will receive a shout-out here on These Old Games and get Discord access to my little server. In the next level, The Central Tier, you will receive everything The Southern Tier receives plus some behind-the-scenes content. This behind the scene content will be things that probably won't fit in the book, but may be of interest to you as a DM and gamer. The final tier will include everything listed before plus the ability to Direct Message me on Ko-Fi plus a pre-release PDF of sections and chapters that will ultimately end of the book. 

In sharing this post, I would hope that some of you would take a moment to join Ko-Fi and click that free follow me button. 

There is no TL:DR version of this. This new idea is wildly outside my comfort zone. I am creating a fantasy campaign predicated on a time-traveling Elf stealing a nuclear weapon and a cool pair of Raybans to overthrow a god, only to settle on being a travel blogger. That is nuts enough. But the reality of this project is, simultaneously committing to start a community, raise funds, delete a bunch of completed blog posts AND write as many as 3 books. 

That's crazy. The part that makes me most uncomfortable isn't all of the hard work, it's the request for support. I've gotta tell you while getting this project off the ground, I've been hearing this song non-stop. 

And I don't mean in my headphones or on Youtube. I hear it when I'm sleeping, too. 

New Project - New Direction

In my last post, I spoke about a book. This book will be the kernel of how I present my campaign world to others. When people start new campaigns, they compartmentalize the world to limit the scope of what the DM has to present to the players. For example, they start with a small town and perhaps a dungeon or keep then expand to larger ideas. It is a good bit of advice for gamers, however, there has always been an inclination to have a roadmap to a larger world and events.  Maybe you don't start large and go larger, but making a whole world (a good-sized continent) does require some sort of roadmap. 

In this case, I am starting with a massive idea and breaking it into chunks that might not be obvious from the outset. The main idea of this campaign setting is romanticism. The Peninsula of Plenty has many locations, cities, towns, kingdoms, and other places that will be described in detail by an in-universe author name Magarven the Mad.

Magarven, although crazed, has a pretty good handle on what is happening in his world. It is an era of peace and prosperity at the largest level, which does not preclude mysteries and conflict at a local level. For the most part, this campaign world has left the medieval age behind. He has stumbled on the idea of describing what is happening with imperfect information. Or more correctly, information he has not validated but wants to be true. He is operating from his ego over his guts. He wants fame for bringing knowledge to the masses. He doesn't see any possible harm because he believes this one volume of books accurately describes the world. It does but only poorly.  

You might guess correctly that I am a history major. This process occurred in various parts of the world back in the 18th century and peaked in the mid-1800s. It spread from Europe to Russia and to both North and South America. This was not exactly a peaceful era, but romantics often portrayed it as such. This was really not a good time to take a romantic perspective or a good place to evoke powerful emotions. Emotion and feelings took precedence over logic and facts, which had a dreadful effect on historiography and the natural sciences of this era. People were basically making their own rules and creating their own version of history which was radically different from reality. As all of this was taking place, things were falling apart. 

In writing as he does, Magarven is actually sending people with torches and weapons to marvel at the wonders of a world made of powder kegs. 

While akin to a hexcrawl, it places the characters in civilized danger. There are patches of wilderness here and there but the real problems lay just outside of cities and towns. Obviously, many of the bits of wilderness and hinterlands were left empty on purpose and as a result, play off of the wildness found in the so-called civilized bits. 

In this world, it would not be too surprising for a country fair to cover up a coven of witches or a massive clambake ending with a sacrifice to a dragon. A vampire could be the mayor of an idyllic village. Or a lonely abandoned boathouse is a gateway to the underworld. 

New Project - Meet the Author

I have started a new project, a deep dive into my campaign world. My campaign setting is a small part of a single continent. I never saw much need to expand it much further. What it lacks in size it makes up in depth. 

Virtually all of the races found in the D&D game books appear in this one place. However, some are just visitors to the main continent. 

I have many oddball characters running around. One of them is Magarven the Mad. He is a Drow in the same vein as 1e. He is obviously evil (or chaotic) and were it not for his flaws, he would be dangerous. Early in his life, he made a name for himself as an adventurer. He loves fame. He will do anything in pursuit of it, including casting himself as a heroic explorer. 

The reason I mention him is, he is the author of a handbook to my game world. In reality, I am modeling this book on many of the works produced in the 1800s by romantics touring Europe in search of something... romantic. Except, this Handbook is written by a madman. 

This project will be a two-parter: The Handbook of Lore and Background written from an in-universe perspective, plus the second matching book of adventures and events that DM's can plug into their world. The Peninsula is divided into many nations and city-states, so a game master is free to carve out a tiny piece of their map to plunk one or more of my bits. 

As you can tell, Magarven (and myself) have grandiose plans, as this book is "Volume One". As I work on this, I will share little bits of lore and perhaps a mini-adventure or two. 

I plan on making it my first item for sale on DriveThruRPG. As a flesh out bits, I will share them now and then. If it seems well received, I might even attempt to do a print copy instead of PDF. 

Let me know what you think.