Setting Unknown - A Solo Endeavor

Right now, I am in the planning stages of a new Star Frontiers campaign. I do this to myself every year. I want to play a game exactly at the point where the NFL and NHL heats up. I can ignore hockey for a bit, but this SF Campaign is going nowhere until Feb 12, after the Super Bowl.

I decided to do other things, such as ship design and planets. I mention Typhon, the planet where the PC will start. I'm in the brainstorming mode for the planets, which is handwavium for "the back burner". The fact is, I don't plan on having the players hang out there for very long. 

Ships are another story. The players will have a pair of gigantic shuttles, Hull Size 2. This is just a tad smaller than an assault scout. The shuttle is barely able to make a jump, the primary issue is it's just too small for supplies. For this reason, the two shuttles are paired with Hull Size 5 Electronic Warfare destroyer. 

This variant of Destroyer makes sense in game terms, it would have been helpful in the War but now that the war is over, something has to be done with all of these extra ship hulls and engines. Without the electronic warfare gear, the hulls are basically free. As they have also been stripped of their major weapons, the sale of these ships to civilians is fine. The characters won't be civilians for the most part, but why give them an inordinate amount of guns? 

What makes these ships very special is their double engines. They have both Atomic drives and Ion drives. The same for the Kon-Tiki shuttles. Why? The Ion engines allow each Destroyer and Shuttle to mask themselves or others. That would have been great during the war, but in the hands of the players, allows a quick ship that doesn't need an engine rebuild every time they jump. I want them to feel like they are on their own, even when they aren't.  

Anyway, back to "Setting Unknown". 

I was thinking of playing Star Smuggler again. I have been playing too much Endless Sky and Escape Velocity, for a theoretical review of each. I have played all three games a zillion times. I want to go beyond rule mods and stuff, hence a new setting. One that is currently unknown. 

I stole some images from Endless Sky and Wikipedia. This ship is a combo of the
nose of the Arrow and the tail of the Hawk from Endless Sky. The shuttle is a headhunter.
The Dreamlifter is for scale.

The main protagonists have a 20-meter ship, or 400+ tonnes*. This is basically on the order of the 747 Dreamliner. Like the characters for my SF campaign, they have a smaller shuttle. The Dreamlifter can carry about as much as its empty weight. (From reading Wikipedia. YMMV.) As you can see, the shuttle won't carry a lot, maybe 20 tonnes. 

(*The future might be metric.) 

I figure in the future, we can do better within limits. I will assume that the ship weighs 100 tonnes and can carry 300 tonnes of stuff. If you are empty, you can go faster. If you are loaded to the maximum weight, you move normally. If you are overloaded, you can't make an FTL jump. All extra equipment beyond what a spaceship comes with is subtracted from cargo space. 

The standard crew for a spaceship is the 5 man band - Pilot, Co-pilot, Navigator, Engineer, and Payload Specialist. If you have weapons, the pilot can fire forward cannons and missiles, and the Co-pilot and payload specialists handle everything else. To move, you must have at least a Pilot. 

FTL in this Setting Unknown is teleportation like Battlestar Galactica. Rule one, it takes a day to pump power into the capacitors to make that jump. Rule two, you can have a lot of extra capacitors. Generally, ships are ready to jump at all times, assuming they aren't doing anything special beforehand because they have more than one capacitor. 

Jumping into a system is generally not dangerous as long as you don't jump to a busy point. Jumping to the surface of a planet is bad because you will likely miss your target by a couple of meters in a random direction. BOOM! 

Jumping FROM the surface of a planet is easy as long as your target is empty space, except the authorities will hunt you down for causing a calamity on populated worlds. 

Bad, but fun.

I have no idea how combat, movement, economics, or anything else will work but I have some ideas I'll share in the coming posts. 

I don't know what to call this class of ship. Help me out in the comments below. 

I am now back on Facebook which is a big change. I am not using the whole "Link in the comments", so my only way to attract followers is word of mouth. You can also see me on Mastodon.Social and Dice.Camp in addition to MeWe. My last outlet, one that I am going to start working hard on this year is Ko-Fi. 

POP-001 - The Pantheon of Gods

Welcome back. Tick-tick-tick! The counter is down to 90 days. What do I got? 

A lot more and less than what I need. First, let me do a shout-out to Evlyn Moreau over on Dice.Camp. You can also find her on:

patreon.com/evlynmoreau
https://ko-fi.com/M4M85ZSV
https://evlyn.itch.io

She sent me a collection of jungle-theme images, which will go in POP-001. So I'd better get this thing done. 

One item that stands out in this work is that I must devise a pantheon of gods. Typically, I don't do whole pantheons of gods in my campaigns. I let the players tell me about what gods they know. 

It's easier that way. The alternative is: "Hey... can you fit your character in this tiny box you can see? Perfect!" 

When roughing out a campaign, I will typically have the barest minimum of divine beings. I'll have one God of Light, one of Dark, one in between, and one alternative choice that doesn't fit within these three groups. The last category is for the first NPC cleric or druid the characters encounter and it is a hint that the players can be creative in what they believe. 

When I have a city where a large number of different people reside, there is a Temple Row. I keep the gods non-descript unless someone asks me about them. Invariably, the players will come up with a god that won't fit any of my description and I will have to wing it.  

I personally love this trick. 

As the players search the Temple Row, they will not find a temple to their god but they will have a feeling that they are in the presence of something powerful and familiar. If they continue searching, they will find a place that feels right. An NPC will mention this is "the place of the lost ones" and if the character makes an offering or prayer in this space, they will find a path to their God's temple. For a while, they will be able to interact on a personal level with this space, describing it to me. When they have given me a good idea of what it is like, I let them leave. As they exit, that temple, their temple bends and warps reality until it becomes real. Even if the row, the road, the city, or even the world itself has to get bigger to accommodate it. 

Players often find this experience wonderful. 

An AI rendering of a Moon Goddess

This is a consequence of my trying not to impose my will on the players, nor waste time creating stuff that will never be used. It's cool if the players hop right into my world, but I can't expect this outcome and need to invoke a bit of magic. 

Revenants of the Lost Temple must be different than what I am used to doing. I lead with "its a temple". It must follow that I must have gods here. These creatures will be cameo actors to be sure as the module is created for first to third-level characters. I need them to be unique avatars for a whole culture that vanished. 

I have selected a couple of ideas for them to embody. A goddess of the sea, a god of the land, a goddess of the Moon, and a god of the Earth. That sounds like a good AI photo prompt. 

It's pretty... pretty much not what I wanted. As I flesh these beings out, I will post updates over on my Ko-Fi page. Why don't you follow me there? 

POP-001: Making a List and Checking It Ten Frickin' Times

I don't see why AI art is all the rage, but
boy do like it for blog posts.  

Revenants of the Lost Temple will be heavily themed, similar to but different than X-1 Isle of Dread. The climate is humid, very much like Veracruz, Mexico. It's not a primeval jungle, but a staged area. Populated regions run the risk of desertification. Abandon areas show their scars for decades and true wilderness is a riot of greenery. 

This creates an interesting scenario where getting lost on a road or trail is difficult, but leaving the beaten path can quickly shift the travelers into survivors. The Temple was lost due to a combination of environment, climate, and happenstance. Once abandoned, it was swallowed. Hundreds of years later and it is difficult to see the difference between abandoned and true wilderness. 

This flavors the sort of monsters the characters will encounter. Anything intelligent would have the ability to find the Temple. The Found Temple of the Revenants doesn't really ring. So much for my default idea of having the Kobold Tribe of Minwan wandering the area.  

I went through the monster's list from Old School Essentials and made a few choices based on the region and the challenges I wanted. I supplemented this list with animals native to Mexico. I suppressed everything I currently know about The Lost Temple and selected what seemed correct to the theme. 

Wilderness Monsters

1. Bat, Giant 
2. Bat, Normal
3. Boar
4. Cat, Ocolot
5. Centipede, Giant
6. Dryad
7. Frog, Giant
8. Green Slime
9. Grey Ooze
10. Harpy Eagle
11. Horse, Wild
12. Insect Swarm
13. Jaguarundi
14. Jaguar
15. Living Statue, Stone
16. Llama
17. Mule
18. Nixie
19. Pegasus
20. Rat, Giant
21. Snake, Python
22. Spider, Giant Tarantella
23. Spider, Normal Tarantella
24. Spider Monkey

I have a list of 24 critters. It's a bad wandering monster list because it includes a bunch of things that don't or shouldn't wander and more than a few would end in a total party kill. Many of these creatures should be static, events-type encounters. 

My favorite from the list is the normal bats. I've never killed a party with normal bats, nor would I suggest it. They are a perfect thematic encounter for setting the mood. Bats are nocturnal. Once a day the players should see them leave to hunt then hours later return to their caves, fat and satiated. It's not an encounter, it's a themed clock. 

The horses, mules, and llamas are more theming, they are lost, too. No one will die from these encounters but the sense of loss is reinforced by them. The pegasus and the unicorn give a sense of being out of one's normal place, a juxtaposition of the idea of being lost. 

The normal tarantellas, rats, ocelots, jaguarundis, and insect swarms are a part of the background environment, the living jungle. 

I'll have a whole post about the Living Statues, there is no intention of making the characters fight them. 

This leaves only 14 monsters on the wandering table and I think I will peel away 4 more to make the list 10 long. I think 10 monsters is perfect for a wandering monster list. At this link, I used 10 monsters for a whole campaign setting and I stole the idea from 3 Toadstool Blog over here. 

The goal of this product is to populate the Peninsula of Plenty with exciting, living places. In order to match X-1's page count, I need 15 more pages. Over on Ko-Fi, you can see more about this module. 

New Project on Ko-Fi

As you have probably noticed, there have been changes to the front page of These Old Games. Gone are some of the ads and they have been replaced by a Support Me on Ko-Fi. 

Rather than looking at my blog as a revenue stream, I would like to fund a project that does not yet rise to the level of a Kickstarter while being slightly more developed than These Old Games can support. This project is called: 

I had originally intended it to be D&D campaign book, but in light of the OGL 1.1 disaster, it has been pared back to a rule system agnostic Campaign Handbook. A fictional travel log for adventurers. I have posted sample maps here plus some background information. I am currently in the process of moving that data over to my Ko-Fi project page.  

The benefits of this are two-fold. I have been running ads on These Old Games for years and that has become problematic. First, ads interfere with the reader's enjoyment of the site. Second, ads cannot fund a project of this scale. Most readers are likely to click an ad for DriveThruRPG while ignoring ads for other websites. 

To this end, I will be working to eliminate all Non-DTRPG links. This is a big project in and of itself. I wish I could say "this blog is ad-free," but I am not there. In fact, I think that completely removing all ads including the DTRPG ads might not support the gaming community. I like to push people to great products, which is difficult when DTRPG hosts so many great projects. 

So, what is up with Ko-Fi? 

I guess this is the portion of the blog where I sadly admit that I'm not quitting my day job to produce content. That is not the intent of this project. 

I am using Ko-Fi to get this project off the ground by raising a modest amount of support while being accountable to a community. This is not an exchange of funding for specifically targeted content. It is to keep on track to complete a PDF that will eventually be sold. Ideally, if this project is successful, it could become a Kickstarter for physical books. That is my goal, but it all seems very far away. There is so much content creation between now and then that I have a hard time picturing the end. You are not funding a book, you are funding me to write a book. Or three. 

To that end, I have five-ish different "levels" over on Ko-Fi. Following me is the first step and level. There is no cost to following me on Ko-Fi. You will not see every post, but I hope you see enough to decide to hit that support button. The next level is a one-time tip or donation. This is where you throw some change in the tip jar. Like a follower, it really confers no Ko-Fi benefits beyond knowing you chipped in to make this happen. 

Next are the paid tiers, at $3, $5, and $10. Starting at the bottom, The Southern Tier (yes, a pun), you will be joining my Community and will receive a shout-out here on These Old Games and get Discord access to my little server. In the next level, The Central Tier, you will receive everything The Southern Tier receives plus some behind-the-scenes content. This behind the scene content will be things that probably won't fit in the book, but may be of interest to you as a DM and gamer. The final tier will include everything listed before plus the ability to Direct Message me on Ko-Fi plus a pre-release PDF of sections and chapters that will ultimately end of the book. 

In sharing this post, I would hope that some of you would take a moment to join Ko-Fi and click that free follow me button. 

There is no TL:DR version of this. This new idea is wildly outside my comfort zone. I am creating a fantasy campaign predicated on a time-traveling Elf stealing a nuclear weapon and a cool pair of Raybans to overthrow a god, only to settle on being a travel blogger. That is nuts enough. But the reality of this project is, simultaneously committing to start a community, raise funds, delete a bunch of completed blog posts AND write as many as 3 books. 

That's crazy. The part that makes me most uncomfortable isn't all of the hard work, it's the request for support. I've gotta tell you while getting this project off the ground, I've been hearing this song non-stop. 

And I don't mean in my headphones or on Youtube. I hear it when I'm sleeping, too. 

The Character of Metals

I use various metals in my campaigns. I have written at length about silver for weapons, here, here, and here. The gist of all of these posts is silver is a special metal, a magical metal. In my campaign, it is a gateway metal for true magical weapons. By its very properties, it can strike targets immune to regular weapons but does not confer bonuses to hit or damage. It is the metal of choice for fey folk and elves, be it for weapons or armor. 

Iron is also a special material. Iron poisons fey folk, so they will not use it. They also look down on those that do use it. Regular weapons are usually made of some sort of steel, so the more sophisticated cultures don't carry iron weapons anymore. The fey receives 1 extra point of damage from a steel weapon, but actual iron weapons do an additional 1d4 points of damage, dissipating at a rate of 1 point per round. 

For example, if struck by a short sword made of iron, a pixie would take 1d6 from the weapon itself and 1d4 for the iron's poisoning effect. If 4 points of damage were rolled for the iron poisoning, it will dissipate over 4 rounds. 4 HP in the first round, 3 in the next, and so on. 

If crafted into armor, it will do poison damage to fey folk just like a weapon - 1d4 HP dissipating. This is per touch. Steel armor will not cause any damage as it can't penetrate the skin and get into the blood. 

Elves do not use iron for two reasons: they are too advanced for it and they respect fey folk too much. They also have mithril, which is finer than steel or silver. 

The next special metal in my campaign is Cold Iron, also known as meteoric iron. It is exceeding rare. It is always at least +2. If a creature is from a different plane, the bonus is doubled and it also causes a poisoning effect just like iron does to the fey. 

Things look grim for magical folks in my campaigns. No so. They have access to Blood Metal. Blood Metal is a dull blue color, and takes a fine edge. Blood Metal affects mammals, snakes, birds, and lizards (but not spiders, insects, or magical beings) with draining damage. Every strike causes a save vs. paralyzation. If failed the target is weakened to the point of exhaustion. This is dastardly metal when added to sling bullets or arrowheads.    

Demon's Bane is wrought iron alloyed with many different kinds of minerals and metals in a magical process. This kind of weapon has a bonus to hit but never a bonus to damage. The maximum bonus to hit is +5. Sometimes, precious metals are applied to the surface. All weapons and armor made of Demon's Bane appear to be ceremonial. Against creatures of the prime material plane, they do half the damage and never apply their bonuses to hit. 

However, when used against creatures from other planes they receive the bonus to hit and it does normal damage. People wearing Demon's Bane armor cannot be touched by creatures of other planes or those who are astral or ethereal. However, wearers can be struck with a weapon. 

When used on a Demon (not a devil) this metal shows its worth. Demon's Bane causes a Demon's blood to boil and burn. This causes an additional 1d8 points of damage dissipating over up to 8 rounds. This is in addition to the damage done by the weapon itself. Armor and holy symbols also cause the same 1d8 point burning damage on contact despite not normally being able to cut or injure a Demon like a weapon can.

Now one final point in this post. I have a schedule for when a character can draw and hold a magic weapon. For AD&D it was: 

Silver  1-3 levels
+1       4-6 levels
+2       7-9 levels
+3      10-12 levels
+4      13-15 levels
+5      16+ levels  

For OSE and rules which do not get to such heights, every other level suffices. The reason for this rule is I could give a character a plussed weapon on day one and just not think of it again. It would work like a special survival reward for reaching x level. Usually, the pitch was this was a family weapon passed from parent to child and was only effective in the hands of the worthy. 

Divine Donative - Bartering for Lives

For some strange reason, in all of my years of playing D&D, not one of my players has expressed a wish for the reincarnation or resurrection of a dead character. Not even the player of the deceased character. In fact, on the few times, one character has wished another character back to life, the player of the risen character has expressed some remorse at returning to the land of the living. 

I think I know why. Very often player characters in my campaigns ascend to a beloved NPC state. In other words, they retire. The story hasn't ended for them, but the adventure has. 

One idea that I am trying with my next campaign is "Divine Donative", an offering to a church, temple, or another group that ensures resurrection or reincarnation should something befall the character. Many of the rules in D&D are geared toward such a transaction such as an oath of poverty which requires donations. There is even a list price for the casting of such spells, so why not pre-payment as insurance. 

Hit x amount and you get free services. It stands to reason that if the character or party is funneling huge sums of money into an organization, there should be an immediate benefit.  At low levels, it's a bed for the night or minor healing. Later, after pounds and pounds of silver have been diverted to the organization, another life. 

We don't know what happened.
We think he liked rabbits.

Now for the fun bit. Usually, characters die from player burnout. They get bored or goofy and do something stupid to get killed. This moment of death could be an opportunity for a side mission. Everyone rolls up new characters and campaigns to recover the body. It's a nice little break and offers a chance to be something different than normal.  

Then there is the possibility that they pre-paid for services they do not want. But it's a contract that must be fulfilled. 

Off the church leaders go to save one of their most beloved patrons, and upon their return to the land of the living, this guy doesn't want to leave the temple grounds. He wants to tend a garden rather than scalp orcs. 

And if push comes to shove, maybe he or she refuses to come back as a human. All of a sudden, the party picks up a wolf or dog or cat as some sort of guardian. While the players wouldn't control such a beast, having one makes them special. 

Over time, if the characters donate enough, a willing person could be given some sort of magical jar that could be opened in a time of great need for the ultimate healing right on the field of combat. Think, a Pheonix Down from Final Fantasy. 

While I wanted to try this idea for end-of-life situations, the concept really should appear more in my campaigns. If characters are in some sort of guild or association that they support, that support should be two ways. Especially if the character is on track to be an epic hero of many storied deeds. People should be jumping out of the woodwork to support them. Even lowly fighters may belong to some sort of veterans group which could prove a small benefit if support. 

My idea isn't to just fork stuff out to the players as much build continuity with the campaign world beyond what the players are directly experiencing. If the party has a Bard or a Magic User, they probably have associations that need answers, which the PC might have. This would create a series of barter situations that the characters could grant favors and call them in later. Rather than present the party with a list of spells and costs, I should have them intervene if they can so as to curry favor with some group or another... or they could pocket the cash. 

I really like the idea of swapping this for that instead of a list of prices and services. It may take a bit to flesh the whole idea out, so I'm sure I will revisit it as time goes on.  

PS: You can pick up a copy of Old School Essentials Characters, Magic, Monsters, and Treasures on DriveThruRPG. You can also try Wordlographer before you buy.  

Expanding the View - The Town of Manteva

I am continuing to work on this town, I think I have a name: Manteva. I am looking at some old maps of Italy and this one jumped out at me. Maybe it's misspelled, I don't know. 

We are looking at the southeastern edge of the town. I stopped the game in order to come up with some ideas for the flavor and layout of the town. I wasn't planning on a walled village, but it looks nice. 

Walls present some problems for generated maps. Computers are good at detecting collisions, but poor at the layout. Comparing this map to my last post, you'll notice some changes. First, there needs to be dead space around the walls, guard houses, and towers, otherwise, those bits don't work correctly. Providing cover to the enemy is bad, as is providing kindling for fire inside the walls. So, most of the trees have been pushed away from the structures. 

Stores, taverns, and inns should be near an entrance. Coopers and stables are good businesses to have near the gates. I like the Roman idea of bathhouses and outhouses, so this town has a couple. Furriers and smiths also appear near the gates. 

More interior to the town are market houses. These buildings have living space and shop space in the same structure. There is a public barn used for foodstuffs near the entrance. More than a few blocks contain public or private gardens. It looks like farmland, but really these would be a bit decorative and limited to herbs and small eatables like tomatoes. 

Since this is a fantasy town, the characters will find more than a couple of stationeries. Stationery shops sold books and paper. They were "stationary" because they didn't move on market day. The goods were too fragile. In addition to these types of establishments, there is also an Illuminator who would do the art for books. As a hidden feature, these shops are great for Clerics and Magic users. 

I've been labeling these so I can go back and populate each structure with a description. I can't wait to finish this town and move on to the next. 

PS: You can pick up a copy of Old School Essentials Characters, Magic, Monsters, and Treasures on DriveThruRPG. You can also try Wordlographer before you buy.  

"Passion is inversely proportional to information had."

The above quote is from Gregory Benford. And it's a truism for RPGs. While I build beautiful worlds in my notes, very little of that makes it through to the players. I might know precisely why a gang of whatevers are doing whatever they are doing, but the players are satisfied with the idea that they are merely jerks. 

It works. Players like to have that room to grow, and they can't grow if smothered with too much B.S. 

There is nothing better than the party discovering some sort of detail that just works for them, but there are many cases where they have no opportunity to gain such information without a data dump. Some things just go to the grave with the player's antagonists. It's fine. 

But sometimes, I like to give information. For example, I hope that every player knows how to use the to-hit tables and can calculate their own bonuses or minuses. It makes my game easier. In fact, I often have the players throw dice for even the monsters. It cuts down on paperwork, but sometimes it is an opportunity to give them a hint about something outside of combat. 

For example, if two equal-level fighters are side by side, shooting arrows at a target and both roll the same number, both should hit or miss the target. However, this is a good place to drop a hint about other stuff. Obviously, two great fighting men should know how good they are. For example, someone might have a cursed weapon or a magic weapon. The target may have some magical device that only applies under certain circumstances like once per round. Once the party is aware of some weirdness, they can start ruling stuff out by logic, just like the real world. 

It's probably magic. 

It saves on the "+1 magic sword" crap. 

There are times to hide some rolls, such as surprise or hiding in shadows. But even those rolls can give information. 

One of my favorite tricks is when the party is surprised, I'll drop a die out of sight and say, "You hear a noise." Surprise is a surprise, there is very little you can do to mitigate it due to the mechanics. However, it isn't very fun to be surprised. By making that announcement and letting the party act accordingly, I am cranking up the pressure AND pushing agency to the party. It creates an environment of anxiety while allowing for possible (slight) mitigation PLUS it allows the players to set a standard of expectation that can easily be read. 

For example, if a party thinks they are in an ambush situation, they may try to arrange themselves in such a way as to defend high-value players like Clerics and Magic-Users with meatshield Fighters and Rangers. On the other hand, if they never do this, you can set a different dynamic where those players are captured or incapacitated and the party is looking at a hostage situation rather than a TPK. It's up to the DM to receive the party's intentions or style and react accordingly. 

One of my favorite experiences was a Thief who decided to sneak up to the walls of a fortification for a little recon. The whole party seemed to support the idea. I rolled for his hide in the shadows and move silently attempts. Each time, I rolled amazingly well. No one saw or heard anything. They were such good rolls that I showed the player the results. Obviously, these should have been secret, but they were so perfect so I decided to show her. 

Then, disaster. The player of the Barbarian was having a little sidebar with another player when he suddenly realized stuff was happening and asked, "What's happening?" 

Once the party explained the plan, the Barbarian nodded sagely and bellowed, "Look out! I can see you!" 

Well of course you can see him. He isn't hiding from you, you twit. 

The sneaking Thief got this "Oh, shit" look on her face. I leaned over and showed her that the dice indicated she was still not visible to the people on the castle wall. 

To add to the merriment, I decided that the Barbarian's actions would be taken literally. The lookout on the wall answered: "Oh geez," and stepped back out of sight. 

"How about now?" asked the lookout. 

The party was gobsmacked. I gave them a few minutes to work out a plan. The Barbarian was drooling dumb and for once, his actual ability score matched the player's actions. The party adapted to the situation and everyone climbed the wall while the Barbarian offered unhelpful tips to the lookouts. No one intended this possibility, but damn it was fun. 

You can't hide everything all of the time, but you also can't data dump on the players too much. Even if it is mechanical in nature. Also, you shouldn't try too hard to hide certain bits of data. 

As a DM, you build a scenario, a story if you will, but you can't know how it will be received and interpreted. Information from the DM to the players is a fluid thing. You are effectively trying to merge the player's fictional actions with the player's visceral need for information. The DM needs to decide from the get-go what information is worth hiding and what is not. 

Bilingual Bonus Review - Cruce de Río

I only have a few more reviews to hit my goal of 52 for 2021. A few weeks ago a reader gave me a whole set of e5 books. So, e5 it is. One of the best ways to learn a ruleset is actual gameplay. 

Cruce de Río by Sebastián Pérez is a great introductory scenario for D&D e5. 

Title: Cruce de Río 
Rule Set: D&D e5
Year: 2018
Author: Sebastián Pérez
Pages: 10 pages
Rating: 5 of 5 stars

Ok, right out of the gate, it's a little much to call this a "module". It's 10 pages. However, Cruce de Río is a gem of a product. The format of this booklet is scaleable, it works for characters between 1st and 6th levels. It verges on being ruleset agnostic because the scenarios spelled out in this book have crystal clear mechanics for several common events that take place in a fantasy setting. 

The gist of it is, the party needs to cross a river. Three possibilities exist: find a ford, find a bridge or make a dangerous attempt at crossing someplace else. Cruce de Río spells out each of these possibilities with great detail and excellent mechanics. These events can be sequential or run as individual events. There is a challenge for each choice and that challenge scales to suit the DM's need. Any one of them could be deadly, but Sr. Pérez spelled out the possible dangers and their outcomes so that each event need not be lethal. That purposeful planning allows a DM to pick which challenge to present meaning you could get several uses out of each. 

Sr. Pérez gives a couple of reasons for a river crossing, all of which are great. But river crossings should be commonplace for your band of plucky adventures. This is straight-up plug-and-play worldbuilding. This could happen in almost any campaign which makes this title so useful. 

There are bits of details and lore buried in the book that can enrich your campaign. For example, the ogre is motivated to take gems over gold because the government doesn't tax them. He is also not terribly inclined to kill the party as he is just doing his job of collecting a toll. 

I love details like this because these are far-reaching for a campaign setting. It says so much with so little. The kingdom has toll roads, the kingdom has the infrastructure, the kingdom employs non-humans, the tax system is a bit exploitable, etc. If you wanted to jump your 6th level party to hexcrawling, this is your entry point. 

Sr. Pérez has also kindly bolded keywords for quick rule lookup. There is also a reference sheet of Monster Manual pages for easy access. When events call for advantage or disadvantage, those are clearly spelled out with good reasons for each. Based on this, I suspect Sr. Pérez is a hiker with actual experience fording rivers. 

All and all, I enjoyed this book greatly, even though I struggle with Spanish. This book is a part of the Before 2020 Bundle over on DriveThruRPG. 

Mom, Dad... I'm in prison, and I don't like it.

This morning, I busted out some pens and graph paper to come up with the next scenario for my Star Wars campaign. This post is somewhat applicable for other campaign types, as you can grab the maps for just about anything. The links below go to the worldbuilding and character information about this campaign, in case this is the first you are hearing of it. 

In my worldbuilding post, I mentioned many names. Bergel was the Neimoidian viceroy in charge of the planet but he is playing a very sideways game of "not it". He knows the Empire or the Rebels will be paying him a visit very soon and he doesn't want to be the guy in charge when it happens. 

He set up the Tactical Droid, Green-5 as the pasty when whoever arrives has an obvious target to kill. He ordered the droid to protect the planet and Bergel charged him to work with the leadership of the planet. Additionally, Bergel has a Neimoidian bounty hunter, La'ow Houd keeping tabs on Green-5 and the leadership. His intention is to make sure that Green-5 puts up a bit of a fight, but not enough to get the planet glassed. Bergel is going to play the deposed leader card and say that Green-5 took over. 

Green-5 is pretty smart when it comes to tactics. He drew up a plan to kill everyone on the planet but since he's been ordered to work with the Lord and Lady of the planet this idea has been ditched. The Tankerenians are treating him like a living being which is causing him to wildy exceed his programing. He should have gone into safe mode a couple of times already but keeps lumbering on.  

In light of the riots and a party of unknown adventurers, he is in high threat mode. He has negotiated a plan to keep everyone safe. The Lord and Lady of Tankeren have granted him plot of land that contains a ruins. Green-5 started construction of a prison to incarcerate the rioters as he catches them. Currently, they are mostly held in place, which is very dangerous for his droids. They are not jailers or wardens. 

Bergel hates this idea. For one, the prison is far too close to the Capital making both a military target. Second, if anyone attacks the prison, it will be a bloodbath. This will cause the Tankerenians to fight with anyone that slaughters the prisoners. Bergel is an opportunist and has been exploiting the citizens, he doesn't mean to get them all kill or enslaved. This is exactly what will happen if the prison is completed. Someone will come to knock it out. 

Bergel is playing both sides. He set Green-5 on his course but also has La'ow Houd keeping eyes on him. La'ow has set his ship down near the prison site and has been evaluating the situation. He has a mandate to sabotage it any way he can. He doesn't have the means to destroy it himself, but he does know of a party of adventurers (click here for their character sheets) who might get the job done. In a perfect world, these adventures will do double duty: free the prisoners and destroy the facility. 

Last week, I posted some towers. I really liked these designs and incorporated them into the maps. When I drew them, I was thinking medieval towers but the slender design lends itself to sci-fi. 

The prison has 16 towers to jail prisoners. Green-5 is pretty sharp and he tried to eliminate as many problems with jailing people. Each tower is 6 levels or 22 meters high and 9 meters wide. They were carved right out of the local bedrock, so it should be impossible for prisoners to dig their way out. 

The bottom floor is the bathroom and showers. There are no windows on this floor. The next 4 floors are accommodations for the incarcerated. Each level does have a narrow slot window, but is far too small for an adult to crawl out of. The roof is for recreation. Prisoners are dropped off on the roof by a floating platform. There are no droid guards inside the towers.

The Tactical Droid has invented a variation of an oubliette, and the prisoners know it. Several smaller prisoners, mostly women and children have managed to get out of the towers and explore. They have not found a way to breach the walls, so they have not escaped. When they do figure out a way, they are going to destroy this place. This keeps the prisoners from fighting with each other. Wrecking this place is their game plan. 

I must apologize now for the orientation of the prison. The prison towers are on the south side of the map, which means that if I wish to continue this tour of the facilities, the maps will be upside down. 

South Ward (Prison Area)

In the map above, you can see the tower arrangements. The guns that point inwards are heavy stunners. The outward pointing guns are light and heavy weapons for taking down infantry and armor. The dotted lines are the gates. Imbedded in the ground are metal posts meant to stop vehicles while the gate doors slide sideways. They don't stop people, that's what the gates are for. At the bottom of the image are two ramps that lead to the fortress. 

As you can see from the arrangement, the towers block lines of fire. Green-5 believes that a force could come down the ramps and sweep up anyone trying to escape. He's never seen a prison riot before. 

The walls are hollow. There is a 1 meter wide and high tunnel through them, so Destroyer Droids can deploy from cover via secret openings. On the top towers of the prison side are two domes so that the Destroyer Droids can rally before rolling out into the yard. These tunnels are also how droids reach the weapon emplacements in the tower. 

The Command Section

The command area is much more reasonably designed. On the right bottom corner is the barracks area. Since only droids are station here, not much room is needed to store them. The towers along the perimeter have heavy weapons. The box like structures are missile launchers, however, they lob missiles upward. They cannot target anything inside the perimeter, not even the prison area. 

In the courtyard on the left are several faint pencil lines to mark where ships should land. This is also where the hovering platform is stored. These are not permanent marks and are moved, added and removed as needed. The faint pencil work at the top of the image is a duplication of the prison area so I can match the two halves of the map together. 

For the next session, La'ow will alert the players to the problem the prison represents to the people of this planet. He will be helpful, but not really helpful. The players will arrive before the entire structure is complete, they will see how the towers are constructed and gain useful recon information before making their assault. 

YT-3000 Type Freighter for Star Wars Campaign

My Neimoidian bounty hunter, La'ow Houd needs a ship. I started working on a rough image for it. I'm trying to get some sense of proportion and I think I got that down. 

What is missing is details on the front view. A lot of those lines just don't mesh up. One of the issues is, I work in a place that doesn't allow electronics so I am working on paper and from memory. 

As you can see, it has lines similar to the Falcon, but it is not the hot rod that the Falcon is. It has only one gun turret, the radar dish is on the bottom in place of one of the gun turrets and it has a massive cargo hold in the back. I wanted to the ship to be reminiscent of the Clone War ships. To that end, the cargo bay has a massive wing like structure. 

Where Han tricked out his ship for speed, this one is customized for cargo. That cargo bay is designed for holding a sailboat. Weird, eh? 

Well it is the ship of a Neimoidian bounty hunter. La'ow is a technological bounty hunter, he uses data. The sailboat is proof against counter-technological attacks. It is also low profile. 

As a consequence, this freighter is not very fast or good in combat. 

On another note, my next build will be the Millennium Falcon by Bandai. See my Snowspeeder and At-ST builds at these links. 

Stat-ing up the Neimoidian Bounty Hunter

I've picked a name for my Neimoidian bounty hunter, La'ow Houd. I have also modified some rules to allow him to be a bounty hunter. According the rule book, they need to 1d10 vitality per level. That means only soldiers become bounty hunters. Judging by The Mandalorian, any boob with a weapon and drive can call themselves a bounty hunter. 

As a Neimoidian, he doesn't have a long tradition of bounty hunting. La'ow is a hunter of data which sometimes involves people. He observed the Mandalorians at home as a trade representative and spy. He has collected many items from Mandalor, but most of it is the not equipment of a hunter. He appreciates their arts and beliefs but doesn't try to emulate their combat style. 

Not all bounty hunters look like this. 

He does have some tricky items that the Mandalorians perfected, the whipcord, a smallish jetpack and the flame thrower. The whipcord and flame thrower are stock Mandalorian weapons in his gauntlets. The jetpack is a modified Tankerenian hoverpack for picking fruit. It can't exactly fly, but it can allow swift jumps and can save him from a short fall. 

He wears light armor which is similar to Rebel combat suits, although customized to his liking. He often wears a short cape and high riding boots in and out of armor. 

He has a light repeating blaster rifle and a heavy stunner. The heavy stunner is specifically designed to shoot like the LR blaster, but with no damage just the stun effect. He also carries a stun baton and sometimes uses electro-nets.   

La'ow has a variety of tools for breaking into systems without a droid. He also has a couple of holographic projectors which stick to surfaces. One of them will project a distortion over his body, so he can appear as a holograph. He must set this up first, it doesn't work on the fly as it requires specific viewing angles to work convincingly. 

At great expense, he managed to get his hands on two lightsabers which he had on display in his sailboat. No, he did not kill Jedi or Sith. He bought them from some really dangerous people. He does not use them as he is unskilled. He has a variety of trinkets from Mandalor, Jedha, and Coruscant which are made of kyber crystals. La'ow thinks they are object de art and it has not occurred to him that they could have any other value or purposes. 

Statistically, I have decided that Neimoidian's have a +1 Dexterity and Charisma, and a -1 to Strength and Constitution. They receive a bonus rank of swimming and the bonus feat Cautious. La'ow is an 8th level Noble and 4th level Bounty Hunter. As an isolated Noble, he can only call in favors from Bergel and Green-5. He is not well known on this planet. 

His ship, the Gallant, is a heavily modified YT-1300 transport. It is not fast, stealthy or very combat-effective. It does have great hover and low speed maneuverability so he is able to deploy his cargo from the starship to the water.   

The cockpit is located between the mandibles and the dish is located on the bottom, in place of one of the guns. The top of the ship has a gun turret and a 12 meter tall sail like cargo bay in the rear. The turret cannot shoot backwards because of the cargo bay. There is a nasty surprise at the top of the sail, a mine launcher with 5 mines.   

The ship is much slower than other YT-1300's as a quarter of the engines are missing to allow the Gallant to carry the large sail shaped cargo bay. La'ow owns a staysail ketch and needed the modified design to carry it. The cargo bay is large enough to enclose the whole boat with the masts and 4 sails deployed. The whole boat is 12 meters long and is crew by light droids. While the ship does have crew quarters, La'ow often sleeps on his sailboat.  

Here is a test image from my phone of his ship. Sorry about the lightness, it's a photo of a pencil drawing taken under fluorescent light at night. 

Like I said, this bounty hunter is non-standard. 

Adding complexity to a Star Wars Campaign - World Building

I'm running a Star Wars campaign on the very distant planet of Tankeren. I need to know some stuff about Tankeren to create this setting.

The map was created using The Planet Map Generator by Torben Mogensen. Tankeren is largely Earth-like, just a bit more arrid on land owing to the equaralterial nature of the land masses. The map really isn't that big, its only for show. 

What about the people? Here is what I know so far: 

1. Tankeren was a member of the Republic. 
2. The inhabitants are tribal in nature divided by waves of colonization, there were no native inhabitants.  
3. Tribes revolve around each wave of colonization.  
4. The population is heavily mixed up with all species having at least some presence on the planet.
5. There is no majority species. 
6. The Separatists had no problems seizing the planet. 
7. The planet is agrarian, but has a lot of technology. 

Ok, so these people have loose alliances and don't do the representative government thing. What did they have prior to the arrival of the Separatists? A mess. What can I flesh out from these details?

Quite a few things actually. 

The planet is divided into 36 10° zones that
absolutely no one uses. 

Each tribe has an area called a Glide and two leaders called The Bearer and The Breaker. These are short hand terms for "The Cup Bearer" and "The Bread Breaker". Traditionally, the Breaker is a woman and the Bearer is a man, but that's all ancient history. It really doesn't matter who leads in the colonists opinion.   

Ok, what is a Glide? Initially, tribes controlled the land they lived on. But since these people were always technologically advanced, it made little sense to limit the tribes area based on where the houses were. They were also highly mobile using their TNK-101 transports to get around and as supplemental housing. 

A TNK-101 transport, civilian model.

The standard of a Glide was defined as how far a TNK-101 transport could safely glide in a disaster as per the specification booklet. It's about 603 KM (375 miles). This solves the problem of islands having one tribe per isolated landmass. Anything outside of the circle is deemed wilderness and the wave like nature of colonization caused many ribbons of wilderness between most settlements. When Glides are physically adjacent, a large landing strip and tower is built at that contact point. These facilities are used as data control points and as a site for celebrations. They are not militarized. A real world comparison would be an industrial park next to an airport. 

A map of the planet with the Capital Glide marked in red. It is to scale.

The Bread Breaker handles all issues of societal logistics; the distribution or trade of goods, the establishment of Glides, or anything else having to do with logistics. The Cup Bearer is responsible for all areas of social norms; agreements, contracts, honor, law, etc. Notice there is no chief executive or commander in chief. These roles would be taken on by either the Bearer or the Breaker as they saw fit. 

A Glide is the smallest area of control, while a Shield is the next level up. The Shield (or Continental Shield) is ruled by a Shield Breaker and Shield Bearer, who represents everyone on that Continent. The highest and least used part of government are the two Lord(s) and Lady(ies), two people who represent the planet to outsiders. These positions are alloted by tradition, economic power and in the past, might of arms. In almost all cases, anything higher than the Cup Bearer or Bread Breaker is a useless institution, having little to no local control of the Glides they represent. These high level institutions are run by the first waves of colonization and have little in common with the average person. They tend to get into fights among themselves which thankfully rarely trickles down to the citizens of the Glides. 

There are 4 Shields: East, West, Southern and Islandic. They were colonized in reverse order. 

As the Separatists took control of Tankeren, they realized the political situation was more complex than anything they encountered before. Green 5, the lead tactical droid came up with a battle plan to take the planet Glide by Glide called Green Glass Glider or G3xG5. He's a little haughty about his role on the planet. The idea was the droid army would be able to focus on one Glide at a time and this would probably result in a total depopulation of the planet, like a Glassing event. 

Green 5 is currently in charge of the droid army and directed by the Lord and Lady of the planet. They are trying to make the droids more like a police force, which doesn't work very well. It doesn't help that the Lord and Lady have different points of view. Green 5 is flummoxed by the wild, independent nature of the citizens. He spends a lot of time preventing his droids from entering combat situations. The current rioting is baffling to him because the rioters only attack droids if no other target presents itself. 

Green 5 has some conflicting programing due to the fact that Viceroy Bargel has ordered Five to take instruction from the leaders of the planet and to stop taking orders from the Viceroy. Green 5 doesn't see Bargel's organization as a separate power and the hapless droid often reports to Bargel as a matter of course. When he doesn't, he often shares information with Bargel's bounty hunter.  He has no idea that Bargel expects the droid to get himself and his robotic brethren killed when the Rebels or Empire arrives. 

Rough Cut - Beacon Harbour

 I inserted my new longboat like houses and roughed out the walls. The tower evolved a bit but I like it. 

Not bad for a quick map in Worldographer. What I do not like is the sharp lines around the cobbles and dirt areas. I'll have to fix that. I also have an issue where the edges of the boat houses are too light. It gives them a "glow" that I don't like. 

The area has morphed into something living from such a simple pencil drawing. Oddly, I noticed that I accidentally changed the name from Banner Harbour to Beacon Harbour. I kind of like the new name. 

Worldobuilder By Inkwell Ideas for Maps

A few months ago, I picked up a whole suite of software for mapping and world building. I have to tell you, the Worldographer software is excellent. I use it for my books, my blogs and my campaign. It couldn't be more handy. They have a collection of software, but my favorite is Worldographer. It basically does everything I wish it to.

You can pick up new icon packs from Patreon, as monthly subscription. My campaign is Roman themed, so I haven't partaken in that yet. I did purchased the e1 Icon pack when I bough the software. It allows me to make maps that look a bit like the Greyhawk campaign map. I love it.

You can give it a try with very few limitations from the store section of their main site. The free version doesn't nag or limit you too much. It is mean to just give you a taste.

I can't help but tinker. My setting is a peninsula with a vast savanna, I needed acacia trees. The set of icons I had didn't have any, so I modified a regular tree into one using the GNU Image Manipulation Program.

It reminded me of modding Civilization Icons. You need a transparent background. Did you ever try that? I used to have great fun adding dinosaurs and Veritechs to the game.

Anyway, back to my campaign. I have a large Romanesque city. Romans lived in villas and apartments. The software had a half dozen choices, but I need to populate a massive area. Repetition stands out like a sore thumb, so I got modding.

In the first version of my city, the buildings looked very medieval. I decided to make the whole area more Roman by making most structures either ramshackle wooden or Spanish tile like.

  
You can see those Spanish like rooves from 35,000 feet. Nice.

Then I wanted new villas. Just two choices didn't give a lot of variety.

I now have 4 or five variations. Square or rectangular and so on. One thing I discovered while working is, if you leave the courtyard area transparent, you can trees and other structures to the yard. Nice touch. The other thing is you can use the software to flip, rotate and scale the same building so even a copy doesn't look exactly like the one next to it.

For my last trick, and this is completely outside of the scope of Worldographer, I decided to add my party.

It is completely useless for game play, but I thought it was a nice trick. I have two wagons and 5 horses, to match my party. If you zoom in too much, there is zero detail, so the trick loses it's charm. But I enjoyed giving it a shot.

A clock that swings with no tick tock

No, the Romans didn't have 8 hour days, but their time
measurement was chaotic. 

As mentioned in the last post, I will be talking about time. The Romans had a 24 hour day like we do, but it differed significantly due to the technology they had available to them. The Romans used sundials in daylight and water clocks at night. But how they used them is odd.

They divided day and night into 12 hours, there was exactly 12 hours of each. But what about seasonal adjustments? Forget it. They simply made each hour longer or shorter. An hour could vary between 45 minutes and 75 minutes in length.

Oh, that is a headache.

Also, the typical Roman wasn't much of a breakfast eater. They would shovel in whatever they had left over and be on their way. They only had between 540 and 700 minutes of daylight in their 12 hour day. At night, watches were divided into 3 hour shifts for a total of 4.

Remember the rules about vehicles in Rome? With very few exceptions, no one rode by day. So walking was the only means of transport.

So did the Romans have traffic cops?

Yes, they did. Two types in the Empire. The first was the Vigiles, a fire brigade. Since the city of Roman was sacked and urban planning went out the window, Rome had 7,000 Vigiles to monitor the city for fire and address traffic issues at night. These men were former slaves or freedmen and they would gain their citizenship after a number of years of service, usually 6. You'd think that they would have loyalty issues, but this had been done in Greece, Alexandria, etc. with no problem. It was an age old solution to the issue of fire.

The Vigiles not only handled traffic infractions, but the recapture of runaway slaves and the arrest of law breakers. During daylight hours, the Urban Cohorts took over these duties. They number about 3,000.

Prior to this, in the Republic, the Three Men of the Night would do these duties. They were called a triumviri and were responsible for administrative functions. This would have been the leadership of the groups of men that would have performed these functions, they numbered more than 3. When the Urban Cohorts and Vigiles took over, the Three Men became prison wardens. The triumviri give their name to the First and Second Triumvirate, the most powerful people in the government.

The main difference between the Republic's triumviri and the Urban Cohorts and Vigiles is, the triumviri were also judges and executioner which explains their shift to prison duty.

And the Sun Went Down on Rome

Sunset is a natural break in activity. Dinner is done, the fire is lit and it's time to settle down around the campfire.

Unless you stirred up a mess of orcs at noon. Then they are coming to get you. Or you have to hike through a particularly bad neighborhood to get to the Inn.

Ancient Rome, after Julius Caesar had a special hell. If you have ever seen a Roman city, you'd expect that everything was all orderly and right angled. That is true for everywhere except Rome itself. In the 390s or 380s BC, Rome was sacked and burned by the Gauls. Most people would have given up at that point and the sun would have set on their civilization. But not the Romans. Orders were given to rebuild the city as quickly as possible and that threw the normally orderly Romans into a tizzy of building. There was exactly zero planning.

By the time of Julius Caesar, Romans had private chariots and coaches, in addition to equines and all the wagons and carts needed for industry. The streets of Rome were packed with vehicles and animals that take far more strength to operate than a modern vehicle. Being an Absolute Ruler is wonderful. Julius ordered an end to carts and wagons during daylight hours. All carriages and chariots were limited to the last two hours of daylight.

And with one law, the streets of Rome were safer. In daylight, that is. At night, in the dark, all of those carts, wagons, horses, mules, chariots and carriages were unrestricted, making the city a death trap for pedestrians. Anyone without some sort of conveyance would dash home before dark, before the streets became dangerous.

Crime was probably pretty low at night. What right minded villain would risk their own life out on the streets with all that vehicle traffic?

There were excepts for specific classes of traffic during daylight hours: Priests, Vestal Virgins, and Triumphing generals could ride during the day. The Romans were all about holy days or holidays, so festivals processions were exempted, too. At various times, construction contractors had the right to travel in daylight to make city improvements.

Some roads were so narrow, that they were closed to vehicles day and night. This was done with stone pillars, rather than signs. Other roads were so narrow that only one vehicle could pass. The Romans didn't have one way streets, they sent runners ahead to block travel. As you can imagine, this would cause some conflict.

In my next post, we'll talk about time, city services and police in ancient Rome.