The links below are paid ads and will take you to DriveThruRPG, respectively. Funny that my site is missing a reference to Classical Hack.
Classical Hack is a full gaming system created and published by Lynne and Philip Viverito. As a kid, I watched epic battles play out in my living room, dining room, basement, garage, and bedroom. At first I was an outsider, then I was a participant.
My parents engaged me in creativity and gamesmanship from a very young age. Castles and knights lurked in every corner of our home. Every house and every apartment we ever lived had a game room. And if it didn’t, any room and every room could be transformed into one.
One of my earliest memories was of a convention in Lockport, New York. My dad had constructed an amazing castle of incredible detail, complete with a custom table to hold it. The whole construct seemed amazingly tall, I couldn’t reach the top standing on a chair.
I recall sitting on the edge of tables as dice were rolled and Romans met barbarians with swords and spears. People played, laughed, and cursed late into the night.
Which brings me to Classical Hack.
ClassicalHack.com is a website dedicated to historical miniature gaming, created by lifelong gamers.
The game system is very period-specific. The series includes:
Holy Hack Hacking by the Book Biblical Warfare,
Homeric Hack Warfare in the Age of Homer,
Classical Hack Warfare from 600 BC to 250 AD,
Hack In The Dark Warfare in the Dark Ages 250 AD to 1000 AD,
Knight Hack Warfare in Middles Ages 1000 AD to 1450 AD,
Pike Hack The Road to Dunbar Warfare in the Age of Cromwell.
To support these rules there are two scenario books:
Classical Hack Rome
Classical Hack Macedonia.
All books, even prototypes were written on Macintosh Computers typically using Adobe for editing and page layout.
You can check out ClassicalHack.com for updates to this great gaming system, or get it from DriveThruRPG.
Friday, August 21, 2015
Going Off the Rails – Part Two
Player inventions… How many times have you had a player try to invent something and complete throw a campaign into chaos?
Many years ago, I was running a campaign that had too many rogues to be well rounded. There was not much need for traps in this world, they only came in three varieties:
Noise making traps on homes,
Animal traps,
Generic fortification defenses.
Being made up of thieves, the party kept checking for traps where there were none. Since it was a point of interest for them, and one player rolled very well, I decided that a box did have a trap. I described workings in great and gory detail. The players and their thieving characters ate it up. Of course, the next door had a trap. Lacking any foresight, I described this trap as exactly as the one before.
And the seed was planted.
The next chest had the same trap as the first two, except this time it killed a character. My bad, I didn’t expect this to happen, but the players had. As the play paused to reroll a new character, of course another rogue, I overheard the strangest thing:
“Bloodless Jack got ya.”
“That was awesome.” said another player.
“What do you think he wants?"
“Don’t know. It could be that chalice.”
“Naw, we are going to give it away and a priest is a much easier target than us.”
“Fame,” added a third.
“Yes! It makes sense that someone would want fame and notoriety. Sort of like the guy in the cabin mailing bombs.”
“Ted something, right?”
“Yeah. We should nail this guy before he gets us.”
In just a 30 minute character generating session, the players had worked out that they were up against an assassin. A very detail orientated, cunning and evil assassin. A man who called himself Bloodless Jack. Bloodless as in so cold, the blood didn’t run in his veins. They had gathered all these details from the repeated description of a single trap described the exact same way, three times over.
Oops. These traps were simply on the fly details in response to the character’s expectations. At no time did I picture a mysterious assassin. I didn’t say anything that would have laid such an awesome name on him. In fact, there was no assassin except in the players minds.
Guess what? The very next session had a very fleshed out assassin bent on killing the characters. This assassin was neatly merged with the prior story, assassinating the priest who hired the players. He then took out the boat captain that hired the characters for security. As time went on, the characters were defending the crowned prince against this diabolical fiend.
And so the stuff of legends becomes real.
Click here for part 1.
Many years ago, I was running a campaign that had too many rogues to be well rounded. There was not much need for traps in this world, they only came in three varieties:
Noise making traps on homes,
Animal traps,
Generic fortification defenses.
Being made up of thieves, the party kept checking for traps where there were none. Since it was a point of interest for them, and one player rolled very well, I decided that a box did have a trap. I described workings in great and gory detail. The players and their thieving characters ate it up. Of course, the next door had a trap. Lacking any foresight, I described this trap as exactly as the one before.
And the seed was planted.
The next chest had the same trap as the first two, except this time it killed a character. My bad, I didn’t expect this to happen, but the players had. As the play paused to reroll a new character, of course another rogue, I overheard the strangest thing:
“Bloodless Jack got ya.”
“That was awesome.” said another player.
“What do you think he wants?"
“Don’t know. It could be that chalice.”
“Naw, we are going to give it away and a priest is a much easier target than us.”
“Fame,” added a third.
“Yes! It makes sense that someone would want fame and notoriety. Sort of like the guy in the cabin mailing bombs.”
“Ted something, right?”
“Yeah. We should nail this guy before he gets us.”
In just a 30 minute character generating session, the players had worked out that they were up against an assassin. A very detail orientated, cunning and evil assassin. A man who called himself Bloodless Jack. Bloodless as in so cold, the blood didn’t run in his veins. They had gathered all these details from the repeated description of a single trap described the exact same way, three times over.
Oops. These traps were simply on the fly details in response to the character’s expectations. At no time did I picture a mysterious assassin. I didn’t say anything that would have laid such an awesome name on him. In fact, there was no assassin except in the players minds.
Guess what? The very next session had a very fleshed out assassin bent on killing the characters. This assassin was neatly merged with the prior story, assassinating the priest who hired the players. He then took out the boat captain that hired the characters for security. As time went on, the characters were defending the crowned prince against this diabolical fiend.
And so the stuff of legends becomes real.
Click here for part 1.
Thursday, August 20, 2015
Going off the Rails – Part One
Have you ever had a night of gaming go off the rails?
I had a 3-hour session turn into a 6-7 hour marathon of gaming. We should have cut it off, but everyone was having too much fun. The players had reached a remote village and were trying to set up a trade agreement. They offended the villagers and the party tried an Indiana Jones-style escape to a rope bridge and escape.
The one magic user who could have stopped the villagers with a spell instead flew to the bridge with an axe. He was prepared to cut the bridge after his fellow adventurers made it across. This is when the game exhaustion hit.
All of the players shouted, “Cut it now!” And the magic user complied, trapping everyone on the wrong side of the bridge. Note that it was the players that made the request, their characters obviously were too far away. A little meta-gaming goes a long way when injected into the story.
We ended right there with everyone high-fiving and congratulating each other. Only the player who cut the bridge looked concerned and perplexed.
At the start of the next session, everyone was sheepish. With a little sleep, they realized the implications of the last session. I started the next session with the characters toweling off from their heroic leap into the river and swimming to safety.
Sometimes, you just have to end with a gag to keep the fun alive. Die rolling and tactics are great, but a story sometimes has to jump to stay alive.
Click here for part 2.
I had a 3-hour session turn into a 6-7 hour marathon of gaming. We should have cut it off, but everyone was having too much fun. The players had reached a remote village and were trying to set up a trade agreement. They offended the villagers and the party tried an Indiana Jones-style escape to a rope bridge and escape.
The one magic user who could have stopped the villagers with a spell instead flew to the bridge with an axe. He was prepared to cut the bridge after his fellow adventurers made it across. This is when the game exhaustion hit.
All of the players shouted, “Cut it now!” And the magic user complied, trapping everyone on the wrong side of the bridge. Note that it was the players that made the request, their characters obviously were too far away. A little meta-gaming goes a long way when injected into the story.
We ended right there with everyone high-fiving and congratulating each other. Only the player who cut the bridge looked concerned and perplexed.
At the start of the next session, everyone was sheepish. With a little sleep, they realized the implications of the last session. I started the next session with the characters toweling off from their heroic leap into the river and swimming to safety.
Sometimes, you just have to end with a gag to keep the fun alive. Die rolling and tactics are great, but a story sometimes has to jump to stay alive.
Click here for part 2.
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