New Unnamed Project - Meet Terra and Vera

When the semester ends, I start losing my writing skills. While writing science fiction and fantasy is wildly different than writing about history or social studies, any writing helps keeps some of those skills sharp.

Tonight's posts are two excerpts from a 7 character study. Terra and Vera are travelers on a space ship in the Epsilon Indi system. When we meet them, they are waking from cryogenic sleep. This story is fairly hard science fiction story. There is no faster than light travel, no artificial gravity, few habitable planets as we would like them to be.

One interesting plot point is that Epsilon Indi seems to have a Jupiter analog in addition two brown dwarfs. The Jupiter analog is where their ship was built, about 6.5 AU from the primary star. The brown dwarfs are 1,500 AU from the primary. Since there is no FTL, travel between these locations is tedious.

When the colonists left Earth, they traveled in generation ships. On arrival at Epsilon Indi, the colonists developed suspended animation to make travel in the system easier on the mind. One of the side effects of the technology is that the human mind has to be awakened before the body is brought out of cryogenic freezing. This experience would normally be painful and boring, so the ship's AI is able to generate a mindspace for the humans to exist in. This is called chimeric space. Chimeric in the sense that it is a dream or wish, unfulfilled.

Chimeric space has some rules. An AI controls it, but that AI cannot impinge upon it. Some robots can appear in chimeric space, but this is quirk of software. They are being informed of the output of a simulated version of themselves, rather than an actual participant like human.

Another quirk of this simulation is, it cannot be used to create mirrors. When a mirror is requested by the sleeper, they instead see an external view of themselves. Any mirrors that do appear have special coding to make them work correctly and cannot be simulated at a whim. The closest chimeric space can go to creating a mirror on the fly is giving the sleeper an external view of themselves. Since people can shift between internalized and externalized points of view, they have concept of "entopic" point of view, which merely means "in the correct place or way".

The sleeper has an idealized sense of themselves, the real world and the virtual world. A person in chimeric space is slowly adapting back to their sleeping body and will detect changes happening to them in the real world. Their sense of time is highly distorted, so becoming aware of someone dressing them seems to take days or weeks.

Terra and Vera have some commonalities, despite Terra being twice as old as Vera. Both were injured in war, both had cancer. Terra is a space ship captain and her brush with cancer was a known occupational hazard. Vera, on the other hand was irradiated by a weapon. As a consequence, she has any number of physical and mental problems, few of which most people can relate to, although through age and experience Terra can come close to understanding.

The title "Vera 1.0" is a consequence of her PTSD. She is reliving the past. When I get to it, "Vera 2.0" will take place along side of Terra's experiences. "Vera 1.0" is taking place in just seconds, like how dreams coalesce in the moment of waking.

This is very rough draft. I hope you enjoy it. As always, please feel free to share your feedback.

Rediscovering the Past - Part 1 - The Mac is not a Paperweight

Back in the day, my friends and I had dozens of character sheets but no copier. What a headache. I had a computer and thought to myself, "Gee, what if I could make this machine spit out sheets on demand?"

It could. This was the standard character sheet for my campaign. It was designed on a Mac plus e using Mac Draw. This evening, I found a copy of one jammed in the back of my Unearthed Arcana book. My friends and I were so proud of it, we put our names on every copy we printed.

Judging by the context of the sheet, I suspect this was done in 1987. I received my Mac in 1986 and probably purchased Unearthed Arcana in '87. I can assure you that I cribbed off of many different versions of the official sheets to create this document, but I have to say, this is the very best sheet I have ever used.

Isn't it amazing how much technology has changed?

But wait, my Mac plus e isn't a paperweight. It has not been lost nor replaced. It's still with me.

I still use it. But not in the expected fashion. For school, I had to do a series of podcasts and videos and I wrote all of the scripts on the good ol' mac. Why? Because I could hide the mouse off to one side and use it like a teleprompter.

This file is now available at DriveThruRPG as an unwatermarked PDF.

This product is a scan of a character sheet from 1987, created on a Mac Plus E. It has been uploaded for nostalgia. It is specifically meant for Unearthed Arcana and includes the six basic abilities, plus comeliness. I have used this sheet for decades. While not entirely error free, nor perfect for every campaign, it is a great design.

This item is offered as PWYW. It is strongly suggested that you download the sheet for $0.00 and if it works for your group, come on back and reorder it at the price point you feel it is worth. Remember, this is a scan of 32 year old sheet from 1987. The value is in the history of the game, not the production quality, so your mileage may vary.

This product is unwatermarked so as not to disrupt the old school feel. Please print as many copies as you need, but do not digitally redistribute.

For more great romps in nostalgia, visit me at These Old Games. I would love to hear how this sheet fared in your AD&D 1e setting.

House Rule - Empowering Arcane Casters

For years, I battled my players on Magic Users and Illusionist. No one would play them because at low level, they can't survive combat. Of course, they can't. They aren't meant to rush headlong into combat. You need those clerics, thieves and of course, the mighty fighting man to smash whatever remains of the enemy after the Magic User has his or her way with them. Once a couple of spells are released, Magic Users should take a back seat to the action.

No one likes the back seat.

I even had trouble trying to get players multi-classing MUs. My players' opinion was that fighters fight, thieves steal and Magic Users use magic. And never the three should meet. Two of my players advanced a ranger and paladin to spell casting levels, but then never used the option because they believed it to be to unbalancing.

I was always a fan of Fighter-Magic User-Thief when I couldn't be a Bard under AD&D, and wanted my players to do the same.

In an effort to inject something attractive to the players into the Magic User classes, I tried some house rules. The only one seemed to appeal to the players was Counter Magic. Back then, I didn't have the whole thing codified like I do now, so it was a relatively unsuccessful trial run of House Rules.

Two other ideas struck me: Down Casting and Crisis Casting. They also turned out to be untenable.

Down Casting is simple. The character has a certain number of spells of certain levels. A fifth level Magic User has 4 first level spells, 2 second level spells and 1 third level spell. When Down Casting is in play, the Magic User can forgo his or her third level spell and convert that to 3 second level spells. They can take it a step further and convert a second level spell into 2 first level spells. Note that you get x number of spells based on the level of the forgone spell. I had thought this was diminishing returns, but it wasn't enough.

You can probably see how that didn't work. While we were play testing this rule, the 5th level Magic User Down Casted his 3rd level spell to two second level spells, then Down Cast all of his second level spells to first level spells. He then spent the entire combat casting magic missile. I am uncertain as to how many times that was, but he could have potentially put 36 magic missiles in to the enemy. I recall they ran out of enemies really fast.

I still think the idea has merit, but needs a different mechanic to prevent a magic missile MERV attack.

Crisis Casting was a little more successful, but also equally untenable. The rule was, if a Magic User has 10 or less hit points and is hit for damage, they regain memorized one first level spell. I had intended for this ability to make a spell caster more dangerous in combat, but it ultimately caused the deaths of several characters.

From a DM's perspective, Crisis Casting seemed to be a cure for any number of tactical problems. However, in practice, it made the Magic Users too aggressive. Instead of using Push, Jump, Spider Climb or Feather Fall to take control the tactical situation, most player simply unleashed another offensive spell. Usually of the type which didn't help them the first time. It could be that with limited spell slots available and combat being on the mind, they didn't memorize the right spells to make good use of the talent.

I'm probably going to try to reintroduce these option in my next campaign, but need to rethink each of them. I have the most hope for Counter Casting. What do you think?

52 Weeks of Magic - By Infi, half a year

Believe it or not, this week marks half a year. In honor of this milestone, I'm taking the day off. By the Infinite, I feel I deserve it. Hard work should be appreciated and rewarded.

Wait... that gives me an idea...

The Token of Infi is a magical item created by a cleric whom believes in luck and the random nature of people and events. To create the token, they must witness the recipient perform a difficult feat. Having observed a successful use of a singular ability, they can meditate on it and then create a small token which provides a bonus of 1 when performing a similar action. The task is linked to a single die roll, usually a non-combat action. The token has a life time of a year and a day and crumbles to dust when the bonus is invoked. A character may only have one token at a time and the bonus and cannot be transferred to another.

The token is similar to The Shape of Memory created by magic users:

"The creation process takes all day as the {cleric} makes choices about creation, but is not an all day process. The item has some worth, say a few coppers, but no one would call it art."

Navigation

Week	Item	Week	Item	Week	Item	Week	Item
1	Magic Lamps	2	The Rat Bag	3	Emulous Cursed Sword	4	The Cloak of Peaceful Repose
5	The Cowl of Death	6	Scimitar of Smiting	7	The Symbol of Sol Invictus	8	The Equi Phalera
9	Libertatem	10	Sorrow	11	Aemilla Carna	12	The Obice Cardeam
13	The Gnollish Rattlebone	14	Bands of Roland	15	Shape of Memory	16	Defender's Boss
17	Missile Mirror	18	Stone Horse	19	Staff of Eyes	20	Helm of Aware Airs
21	Potion of the Lionhearted	22	The Unnamed Potion	23	Whispering Wings	24	Monk's Bane
25	Token of Infi	25b	Device of Defense	26	Shield of Force	27	Coming Soon

Now, the commercial. I have a little book called Zero to Hero: Uncommon Commoners, over at DrivethruRPG. Also on Drivethru is my custom character sheet for AD&D and Unearthed Arcana.

I am obviously thinking of writing another and Gnolls might be the subject. Please let me know what you think in the comments. 

The Difference Between Zero and Hero

The difference between zero and hero is good PR and support. When most parties go looking for NPC or henchmen, they tend to pick up another sword or a healer, when what they need is a Herald or Lawyer.

Heralds are much more than criers, they announce the party with style. They are made of moxie, poise and flair. They improve the standing of a party and positively affect morale and reactions. Lawyers often do the same. Since both speak on the behalf of the party first, each can provide a "fail safe" or "cutout" should the random dice go wrong. Players can counter their pronouncements with fairness and humility, gaining another reaction or morale roll. An uppity lawyer of herald can speak quietly with the lady or master on the behalf other henchmen to prevent walkouts.

Where lawyers differ from heralds is lawyers must not tell a falsehood. They do not have to tell the thruth, but good ones are poor liars. When things go wrong, lawyers tend to go formal. They dress and speak formally, which enables a fair amount of bluffing. Lawyers are apt judges of both character and situations, which can be a second set of eyes and ears for a party adventuring in a foreign land. The can guess the underlying reasons for most traditions, laws and policies which should help the party.

Heralds tend to dress and speak as needed by the goals of the party. They can wear any armor, including none at all. They may carry any weapon, but usage is limited to the lightest arms: daggers, foils, etc. Lawyers are limited to knives and daggers, and will resist all suggestions of wearing armor. They will fall back on their official robes and poise for protection. Sometimes, that can work.

These NPC types exploit their social status, portraying themselves as sacrosanct. Enemies wishing to have good standing with the general public or to hide evil plots for the future often perpetuate this idea. However, if chaos and evil ever reign, lawyers and heralds will be the second against the wall, right after the PCs.

For most campaigns, lawyers and heralds are well versed in oration, history, and tradition besides the more expected talents for showmanship and legal proweness. Should the party become imprisioned, the captor may view locking the lawyer or herald up as bad press or form.

You can read all about these NPC character classes and more than 50 more in my book, Zero to Hero: Uncommon Commoners, available at DriveThruRPG.