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Friday, September 20, 2019
Pregenerated Characters - Commoners - Level 1 Group 1
These 3 first level characters are commoners, suitable for use as NPCs. Click here to download the PDF for Felice, Felix and Jim. These characters are almost ready to go in any campaign.
In generating these characters, I used the rules found in my book, Zero to Hero: Uncommon Commoners. It's available as PWYW at DriveThruRPG. In this book, commoners have a class and a level plus special skills. Their stats are generated with average dice and they have a target roll to perform the tricks of the trade. The base roll is 10 or better for level 1. They only roll when under extreme conditions, when rushing, etc. They gain experience via this mechanic, not through combat or treasure. They are limited to 5 levels and very often, would never advance past 2 or 3 levels.
If you do not have this rule set and are playing Basic D&D or a retroclone, these characters are zero level humans. Their stats are too high, but they have no weapon skills, except for Jim who can hunt normal animals with a bow at no penalty. He has a +1 vs. coyotes with his bow. Felice and Arthur's "weapons" are merely tools for travelers, they don't fight. They are a husband and wife team, both working with pack animals. They are adept at riding and training horses, mules and donkeys. Jim has left all his money at home as he doesn't need it when hunting, while the Animal Handlers are carrying enough coins to cover basic costs and to make change.
If you are playing AD&D, the DMG provides information on NPC types of characters. Older versions of D&D don't really account for skiled NPC without a class. They should roll attacks as normal men.
If there is a call for it in the comments, I will make DOCX and Google Doc file available as I have the PDFs. The reason I have not done this from the get go is that I created every character of a class in one document and print each page as a PDF.
Pregenerated Characters - Fighters Level 1 group 2
These 3 first level characters are fighters, Stephano, Trinculo and Rupert the Mad. Click the link to download the PDF file. These characters are almost ready to go. In generating ability scores, I made sure the range was acceptable in both D&D and AD&D. To convert this character to straight AD&D, simply add or subtract the racial modifiers and class abilities.
The equipment and coins are not balanced for a first level character. These three are generic low level raiders in my campaign, hence the odd equipment. Trinculo and Stephano based on the characters in Shakespeare's The Tempest. They are raiders, but not especially smart raiders. Being played as fools, they are more wily than smart. This makes them dangerous.
Trinculo and Stephano |
Thursday, September 19, 2019
AD&D Druid Spell: Arclight
In the campaign Peninsula of Plenty, the City of Nace is a fair city. As a fair city, travelers from far and wide come to purchase things that otherwise cannot be found. The main products sold are magical plants and herbs for the creation of healing and restorative potions. Some of these plants can also be used to make high quality inks for mundane and magical scrolls.
The garden where these plants grow has been magicked to allow production all year round. Since the gardens are very nearly in the center of the city and have virtually zero physical defenses, the druids, clerics and magic users who tend the garden need special eldritch defenses.
Typically, druids answer the call as frontline defenders, their magic is more subtle than magic users and clerics. However this is a general guideline, not the rule. The druids of Nace have developed a devastating area of effect spell, which does not damage the garden. They do not know the term "upward leader lightning", but they do know how to make lightning jump from the ground, through a target and into the sky. They call this Arclight.
Arclight
Level: 6 Components: V, S, M
Range: 0 Casting time: 2 segments
Duration: Instant Saving Throw: Special
Area of Effect: 10 yards
Arclight is a powerful spell which will cause a lightning stroke to leap from the ground below a target and into the sky. This spell is an area effect spell which is targeted on the ground below the target and does not move with the target. The spell has two damaging mechanisms, both allows a saving throw.
In the first segment of casting, a powerful electric charge forms below the target. They will sense this by the heating of their body, a corona around metal objects and a crackling sound. All creatures in the area of effect are entitled to a save vs spells. If successful, the target(s) flings themselves out of the target area taking 1d3 points of damage. They are stunned for one round and are prone. If unsuccessful, the target freezes taking no damage.
In the second segment of casting, the lightning discharges. Victims in the area of effect take 6d6 points of damage. A second saving throw halves the damage. If the victim doesn't die, they are stunned for 1d6 rounds.
If a person in the target area is flying, they can escape with no damage if they make the first saving throw. If they are forced to make the second saving throw, they will also fall out of the sky due to being stunned. This is typically a graceful wallowing, not a plunge and inflicts no more damage.
Levitation provides no protection from this spell, in fact, it will disallow ALL saving throws, period.
If a target normally or magically has the ability to leap, bound or stride great distances, they are entitled to a +2 to each save. This is normally limited to haste and jump spells, boots of striding and leaping or other items available in your campaign setting.
Since the boundary of the area is not visible, mechanically speaking, someone sprinting will be unlikely to be in the area of effect, unless they are incredibly unlucky. It is very difficult to target a runner, but it is possible to cast at an empty area and hope someone will run into it. This requires great timing, there is no roll for this. The DM should give the target the benefit of the doubt, either adding a good bonus to a save or declaring that they crossed the area too fast to be caught in the spell. It is possible to measure out the movement, but really is too complex for fast play. It could be described for dramatic purposes.
If a person standing on the edge of the area attempts to push someone back into the area they are escaping, contact with the victim will cause them to suffer the same fate as the person pushed. They are not entitled to any saving throw, they take the exact same damage as the victim. This is the price of being a jerk.
This spell does not damage non-living things, however it will damage undead. It does not cause flammable items to burst into flames, unless the DM rules that it does.
Additionally, if the caster attempts put themselves in the area of effect, the caster receive no saving throws at all and the damage will be a full and flat 36 points.
The garden where these plants grow has been magicked to allow production all year round. Since the gardens are very nearly in the center of the city and have virtually zero physical defenses, the druids, clerics and magic users who tend the garden need special eldritch defenses.
Typically, druids answer the call as frontline defenders, their magic is more subtle than magic users and clerics. However this is a general guideline, not the rule. The druids of Nace have developed a devastating area of effect spell, which does not damage the garden. They do not know the term "upward leader lightning", but they do know how to make lightning jump from the ground, through a target and into the sky. They call this Arclight.
Arclight
Level: 6 Components: V, S, M
Range: 0 Casting time: 2 segments
Duration: Instant Saving Throw: Special
Area of Effect: 10 yards
Arclight is a powerful spell which will cause a lightning stroke to leap from the ground below a target and into the sky. This spell is an area effect spell which is targeted on the ground below the target and does not move with the target. The spell has two damaging mechanisms, both allows a saving throw.
In the first segment of casting, a powerful electric charge forms below the target. They will sense this by the heating of their body, a corona around metal objects and a crackling sound. All creatures in the area of effect are entitled to a save vs spells. If successful, the target(s) flings themselves out of the target area taking 1d3 points of damage. They are stunned for one round and are prone. If unsuccessful, the target freezes taking no damage.
In the second segment of casting, the lightning discharges. Victims in the area of effect take 6d6 points of damage. A second saving throw halves the damage. If the victim doesn't die, they are stunned for 1d6 rounds.
If a person in the target area is flying, they can escape with no damage if they make the first saving throw. If they are forced to make the second saving throw, they will also fall out of the sky due to being stunned. This is typically a graceful wallowing, not a plunge and inflicts no more damage.
Levitation provides no protection from this spell, in fact, it will disallow ALL saving throws, period.
If a target normally or magically has the ability to leap, bound or stride great distances, they are entitled to a +2 to each save. This is normally limited to haste and jump spells, boots of striding and leaping or other items available in your campaign setting.
Since the boundary of the area is not visible, mechanically speaking, someone sprinting will be unlikely to be in the area of effect, unless they are incredibly unlucky. It is very difficult to target a runner, but it is possible to cast at an empty area and hope someone will run into it. This requires great timing, there is no roll for this. The DM should give the target the benefit of the doubt, either adding a good bonus to a save or declaring that they crossed the area too fast to be caught in the spell. It is possible to measure out the movement, but really is too complex for fast play. It could be described for dramatic purposes.
If a person standing on the edge of the area attempts to push someone back into the area they are escaping, contact with the victim will cause them to suffer the same fate as the person pushed. They are not entitled to any saving throw, they take the exact same damage as the victim. This is the price of being a jerk.
This spell does not damage non-living things, however it will damage undead. It does not cause flammable items to burst into flames, unless the DM rules that it does.
Additionally, if the caster attempts put themselves in the area of effect, the caster receive no saving throws at all and the damage will be a full and flat 36 points.
Wednesday, September 18, 2019
AD&D Druid Spell - Bolt from the Blue
In my campaign, the druids of the City of Nace need an offensive spell that does not damage property. Bolt from the Blue is it. The Gardens contain many magical crops used by the Empire. Due to the healing nature of these items and the unique environment required for the plants, the Empire uses them as a both a good will item and a soak for their enemies.
The Empire is often on the edge of war with both the Dwarves and Elves. These products allow the Empire to bribe off their opponents with magic or sell them at a premium to the same to divert funds away from the war machine. The Elves and Dwarves use the price of said items as a means of measuring the Empire's war drive. Low prices tend to indicate the Empire is NOT willing to be aggressive and may be facing some sort of other threat. The Dwarves have no comparable magic, while the Elves do. Cost of shipping from the Elven homeland makes the human Empire's market work.
Bolt from the Blue
Level: 5 Components: V, S, M
Range: 0 Casting time: One segment
Duration: Instant Saving Throw: Special
Area of Effect: One creature
Bolt from the Blue is a precision lightning spell, which only hits one target. It can only be cast outside and requires no visible storm or cloud. A bolt of lightning streaks to the target, almost horizontally from the horizon. The bolt will avoid all other objects and creatures to strike the target. It will not damage non-living items, however, it can be used on the undead.
The bolt does 2d12 and will stun, deafen and blind a creature for 1d6 rounds. If the victim makes a saving throw, they take half damage and are only stunned deafened and blinded for 1d3 rounds. Each one of these effects has a separate duration, so someone could be stunned for a round, deafened for three and blinded for 6 rounds. All durations start at the moment of the strike and run concurrently. There is a chance that someone will be stunned longer than they are blinded, rendering that status moot.
Additionally, if a saving throw is made, the target will have at least one hit point left. It is an excellent and humbling negotiation tactic.
The spell has an odd side effect on other spells and casters. The bolt causes short term memory loss. If a spell caster is struck while preparing a spell, they do not lose the spell. The caster forgets that they ever made the attempt to cast whatever spell they had in mind and can attempt to cast it again. If someone struck is subject to a charm like effect, and they survive the strike, they are immediately allowed a saving throw vs. that charm. If a character is wielding a cursed weapon is struck, there is a 50-50 chance that they will drop it and have the presence of mind NOT to pick it back up. This is a single roll, not two rolls.
The Empire is often on the edge of war with both the Dwarves and Elves. These products allow the Empire to bribe off their opponents with magic or sell them at a premium to the same to divert funds away from the war machine. The Elves and Dwarves use the price of said items as a means of measuring the Empire's war drive. Low prices tend to indicate the Empire is NOT willing to be aggressive and may be facing some sort of other threat. The Dwarves have no comparable magic, while the Elves do. Cost of shipping from the Elven homeland makes the human Empire's market work.
Bolt from the Blue
Level: 5 Components: V, S, M
Range: 0 Casting time: One segment
Duration: Instant Saving Throw: Special
Area of Effect: One creature
Bolt from the Blue is a precision lightning spell, which only hits one target. It can only be cast outside and requires no visible storm or cloud. A bolt of lightning streaks to the target, almost horizontally from the horizon. The bolt will avoid all other objects and creatures to strike the target. It will not damage non-living items, however, it can be used on the undead.
The bolt does 2d12 and will stun, deafen and blind a creature for 1d6 rounds. If the victim makes a saving throw, they take half damage and are only stunned deafened and blinded for 1d3 rounds. Each one of these effects has a separate duration, so someone could be stunned for a round, deafened for three and blinded for 6 rounds. All durations start at the moment of the strike and run concurrently. There is a chance that someone will be stunned longer than they are blinded, rendering that status moot.
Additionally, if a saving throw is made, the target will have at least one hit point left. It is an excellent and humbling negotiation tactic.
The spell has an odd side effect on other spells and casters. The bolt causes short term memory loss. If a spell caster is struck while preparing a spell, they do not lose the spell. The caster forgets that they ever made the attempt to cast whatever spell they had in mind and can attempt to cast it again. If someone struck is subject to a charm like effect, and they survive the strike, they are immediately allowed a saving throw vs. that charm. If a character is wielding a cursed weapon is struck, there is a 50-50 chance that they will drop it and have the presence of mind NOT to pick it back up. This is a single roll, not two rolls.
Tuesday, September 17, 2019
Drinking from Pods - Red Dice Diaries
Lately, I have listening to a bunch of different podcasts, new and old stuff. One 'cast that stands out to me is The Red Dice Diaries. John Alan Large has been hosting the show for a while now, and he has many interesting titles. This week I picked four: Potions (new), Magic Items (also new), DMing Rough Spot and Setting Agnostic vs Setting Specific. The first 3 I listened to really made me think of all the games I've played, to extent of not listening (yet) to the last.
Back when AD&D was the big boy game for TSR, we had about 12 regular players but only 3 of us would GM. Mark had an excellent style that was deeply planned out, but he rarely branched out into improvising anything. If it wasn't in the book, it didn't happen. Doug had an excellent game plan, but improv'd his way through everything. The rule book was something for the dice to fall on. My style was someplace between the two, very well planned out but using almost improvisational style comedy to make a point.
Doug was my best friend, so we argued. But it was a strange sort of arguing. If I didn't like something he did, I'd say so, but didn't expect this to change anything at the table. Usually, it didn't matter much. But for one campaign, Doug switched up his style and went entirely by the book. I couldn't get a sense of what he was doing and tried to play characters as smash mouth, in your face sort of people.
It didn't work out at all. My characters would level up the fastest and get the best equipment, but I died six times. My last character was "Reg". That wasn't his name. Doug asked me what kind of character I had rolled up and I answered, "Aw, just one of the regulars." Man, did that make him laugh. And the tag stuck. Reg the Magic User.
As a player, I understood the REASON for the change in style. The issue was Doug wanted to tell a complete story, therefore he needed to drop the goofy, light-hearted improv. My characters kept dying because I didn't know what story they were in.
Reg the Magic User broke out of that by being dangerously wrong genre savvy. He was also help by some incredible luck. I am not much of a magic user type, so I advanced by wit and cunning rather than magic. Usually by the end of the session, I had expended most of my 1st level spells, but nothing higher.
One bit of luck I had was a couple of magical items meant for the party cleric who expired before they could claim them. I could heal. An old man gave all of the characters magic weapons, except me, who received a black rock and a bag of holding. We battle a witch, killed a massive pack of wild animals and generally hunted for loot. We chased a unicorn and bought a ship.
One player found a green ring of regeneration, which I identified for them. At the time, I asked if there were any other magic rings in the treasure.
Doug said, "Yes."
I asked, "What kind is it?"
"What kind do you think it is?" Doug answered.
"Flying!"
Doug rolls some dice and says, "It is a yellow ring of flying!"
You totally know where this is going right? For the next year or so, my ring of delusion provided endless humorous to horrifying scenarios.
Doug decided that if my character had time, then he would cast fly on himself while attributing the magic to the ring. Unsurprisingly, my character would discover they forgot to study that third level spell. However, if my character ever tried to fly spontaneously or with no prep time, the ring would fail.
This went on for over a year, the player tagging off the DM to create interesting stories. Suddenly, the campaign ended, as we had completed the story, whatever that was. I had though the whole thing was lost on me due to my style of play. I couldn't figure out what the point was, or what the ending meant, but I did have a lot of fun. That seemed to be the message sent.
Fast forward 25+ years. I was watching a movie with my kids. There was a scene that left me dumbfounded. I picked up the phone and called Doug. "Reg was in Narnia!"
"Yes!"
I got it. Being a good DM goes beyond storytelling and being a good player doesn't have to follow expectations.
Back when AD&D was the big boy game for TSR, we had about 12 regular players but only 3 of us would GM. Mark had an excellent style that was deeply planned out, but he rarely branched out into improvising anything. If it wasn't in the book, it didn't happen. Doug had an excellent game plan, but improv'd his way through everything. The rule book was something for the dice to fall on. My style was someplace between the two, very well planned out but using almost improvisational style comedy to make a point.
Doug was my best friend, so we argued. But it was a strange sort of arguing. If I didn't like something he did, I'd say so, but didn't expect this to change anything at the table. Usually, it didn't matter much. But for one campaign, Doug switched up his style and went entirely by the book. I couldn't get a sense of what he was doing and tried to play characters as smash mouth, in your face sort of people.
It didn't work out at all. My characters would level up the fastest and get the best equipment, but I died six times. My last character was "Reg". That wasn't his name. Doug asked me what kind of character I had rolled up and I answered, "Aw, just one of the regulars." Man, did that make him laugh. And the tag stuck. Reg the Magic User.
As a player, I understood the REASON for the change in style. The issue was Doug wanted to tell a complete story, therefore he needed to drop the goofy, light-hearted improv. My characters kept dying because I didn't know what story they were in.
Reg the Magic User broke out of that by being dangerously wrong genre savvy. He was also help by some incredible luck. I am not much of a magic user type, so I advanced by wit and cunning rather than magic. Usually by the end of the session, I had expended most of my 1st level spells, but nothing higher.
One bit of luck I had was a couple of magical items meant for the party cleric who expired before they could claim them. I could heal. An old man gave all of the characters magic weapons, except me, who received a black rock and a bag of holding. We battle a witch, killed a massive pack of wild animals and generally hunted for loot. We chased a unicorn and bought a ship.
One player found a green ring of regeneration, which I identified for them. At the time, I asked if there were any other magic rings in the treasure.
Doug said, "Yes."
I asked, "What kind is it?"
"What kind do you think it is?" Doug answered.
"Flying!"
Doug rolls some dice and says, "It is a yellow ring of flying!"
You totally know where this is going right? For the next year or so, my ring of delusion provided endless humorous to horrifying scenarios.
Doug decided that if my character had time, then he would cast fly on himself while attributing the magic to the ring. Unsurprisingly, my character would discover they forgot to study that third level spell. However, if my character ever tried to fly spontaneously or with no prep time, the ring would fail.
This went on for over a year, the player tagging off the DM to create interesting stories. Suddenly, the campaign ended, as we had completed the story, whatever that was. I had though the whole thing was lost on me due to my style of play. I couldn't figure out what the point was, or what the ending meant, but I did have a lot of fun. That seemed to be the message sent.
Fast forward 25+ years. I was watching a movie with my kids. There was a scene that left me dumbfounded. I picked up the phone and called Doug. "Reg was in Narnia!"
"Yes!"
I got it. Being a good DM goes beyond storytelling and being a good player doesn't have to follow expectations.
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