A walk down memory lane... thru a Motte and Bailey Castle.

The Shell Keep
Overview of the keep Ah, memories. My dad has been a gamer since he was a child. His collection of books, resources and material is unsurpassed. When I was in high school, I needed to write a report on the Middle Ages. Obviously, he wanted to help. What I didn't expect was, he told me to bring my whole class. A horde of kids came in to our house for a lesson on the Middle Ages. Hand on, armor, swords, models, books, and history. On whim.
Gate and decking work. He was always like that. When I was a toddler, I recall a massive Motte and Bailey castle in our living room. And some times part of the dining room and kitchen. It was a huge undertaking. I have no idea where that castle went, perhaps it was broken in our many moves from the projects in Lockport to the Eastside of Buffalo and finally to Tonawanda. It wasn't the only castle he had, it was one of dozens.
Side view These pictures are of a castle in the classic motte and bailey design that I loved so much. I'm not sure when dad started building this, perhaps Dad doesn't know when he started building this, but here it is. Sometime in 2018 or 2019, perhaps. This one is 4 by 3 feet. It's tiny compared to some of the work he has done.
Inner gate detail.  This is my favorite view of the Keep. Dad always painted details on his gates, in classic blue, yellow and red. I am not sure of the historical details of those colors, but these remind me of Dad.
Inner ward This shell keep has 3 inner buildings, with multiple floors. Since this is used for a wargame, the rooves, floors and ceilings come off.
Opposite side view. This is a work in progress, so the exterior details are missing. There will be trees, stones, grass and perhaps water features in the finished work.
Rooves Again, the windows and doors have those colors.
Rooves and floors removed. The interior is incredible.
Second floor in place.  In this view, you can see the doorways leading to the interior spaces. When he builds these things, he scales them 15 or 25 mm. I suspect this one is 25 mm.
Other buildings, rooves removed.  The scale is important because wargamers use a particular basing for the figures. He needs to be able to fit those bases inside the structures.
Possibly a kitchen area. Not every part of the keep is for military purposes. This is a cooking area.
Main gate, roof removed.  I love the way he plans areas to be removed for the game action. This is the main gate.
Walkway of the parapet removed. Latrine area.  And bathrooms in the walls. Waste would fall into the moat, for an extra deterrent.
The Bailey.  The exterior area has a couple of buildings, with thatched and wooden rooves.
Interior with rooves.  The Keep has stone or tile rooves, not show in this image. The smaller building have blue slate. That is my favorite color.
The Keep I love the circular pattern of the keep's ward.
Bailey gate.  And finally, our journey ends at the outer gate.
If you want to see more like this be sure to check out my dad on Facebook and on the web. Classical Hack on Facebook Classical Hack on the web

Update for Zero to Hero: Uncommon Commoners!

Send out the criers and the messengers. Have the herald hoist the flag. Zero to Hero: Uncommon Commoners has been updated with several new classes, some campaign notes from history, and many rewritten sections for clarity.

Ever wonder what the difference was between a papermaker and a parchminer? How about a leather worker, a lorimer and a tanner? What is ostracon? What is the difference between amate and papyrus? All updated to answer your questions.

I was thinking of holding off on this until November, but had the chance to get things done this week.

Everyone who purchased the old product can download the new product from their Library on DriveThruRPG.

If you haven't looked at Zero to Hero: Uncommon Commoners, let me tell you what it is and is not. In B/X and AD&D, characters were permitted professional skills to supplement their backgrounds, with nary a word on what those skills would be or how they would work. After decades of play and having my players want to have useful and memorable NPCs or codified professional skills, I wrote a set of rules to outline many common professions in historical times.

This expands in the information from D&D and AD&D, in a way that is very different than "skills" or "feats". Each commoner class member can advance up to 5 levels, from apprentice to master with hard work. Level determines the ease of success when operating as a professional class. Each class has distinct tools and skills, and where crossover exists, I have explained how these characters would work, while leaving the rules open to interpretation so they can fit into any D&D or AD&D campaign. 

There is commentary on economies, hiring, firing and all other aspects of gaining skilled tradesmen. Make no mistake, these are not alternate adventurer classes, they supplement the player characters, not replace them. It is not a sieve or character filter. In fact, this rule set can rescue hopeless characters and save you time at character generation.

It also answers some age old dilemmas about who can do what and why.

Price at PWYW, this rule set can enhance your campaign. Go ahead, give it a try.

#Inktober2019, Artwork for Timeout.

Inktober is on. I have been binge watching TV while working on my main project for the month. I can't say I am getting a lot done, but I am learning.

My main project is a copy of New Mutant's #50, in stippling. One of the issues with this design is, I need a background which I pictured in black. In stippling. 8.5x11 mostly back composition in stippling.

Mmm. What did I do?

Anyway, my binge watching has been BSG. Being a space show, everything in the background is grey or black. I gave myself a timeout project which includes an all black background. I used BG 5 and 9 plus 120 black for these ships. I am not good with tones and color, so again, I am learning.

It's super rough, you don't even need to enlarge the image. Smaller is better.

#Inktober Update - Day 4

I didn't do an update yesterday, but I have continued to work on my project. Magik's hands and arms are causing me some trepidation, so I been forcing myself to work on them. I've also been working on the hair. For the horns and right hand, I think I need a glare or shadow effect. Not sure how that will work.

After the arms are complete, I will be working on the sword. I wasn't sure how this would go, so I did a quick straight to ink practice run. Not perfect, but a good practice run. 

52 Weeks of Magic - Item 28 - The Retort

Since my campaign seems to have died, it's time to get back to 52 Weeks of Magic. This week 40 and The Retort is item 28. Twelve more to catch up.

The Retort is a magical weapon, which initially appears as a leather wrapped handled, with no blade or guard.

The weapon counts as a +5 weapon, but has no bonuses to strike or damage. When the holder is threatened, The Retort will magically appear in the owners hand and ignite into a magical blade 4 feet long. If the user does not have a free hand, the weapon will appear between them and their opponent, waiting to be grasped. The weapon is usable by all classes.

The blade is a cracking field of energy which follows the form of a blade but writhes and twists towards the opponent or opponents. This amorphous form reduces the wielder's AC by 4, making them harder to hit because the energy causes fear. The blade is obviously dangerous. It's light will illuminate a 30 foot area to full daylight.

On a successful to hit roll, a living target must make a save vs. death. If successful, they take no damage. If failed, the target's hit points are reduced to one hit point and they are rendered unconscious for 1d6 turns. No matter how many times struck, the weapon will always leave one hit point. The Retort is not exactly cursed, but holding it will cause the wielder to deal with all threats with The Retort and not switch to another weapon. This obviously prevents the user from issuing a final blow to kill a target. 

If the target cannot be rendered unconscious (such as undead or a golem), they will be encased in a field of energy matching The Retort's blade and take 1d4 points damage for the next 3 rounds. Each hit will increase the duration of the field of energy by one round. While this field has some of the aspects of a flame, it is magical damage, not fire. 

The Retort allows the user to see invisible or astral creatures and will leap to the user's hand when confronted with such threats. Against otherworldly creatures such as demons or creatures summoned, the weapon will leap to the users hand and radiate a circle of protection for 10 feet. The wielder can lash out at these creatures with the blade so long as they are within 6 feet of the circle of protection. It is a one-way barrier to physical attacks, not magic or missiles.

If the wielder strikes themselves on purpose, they will be surrounded by a corona of flame which will will heal them to full hit points immediately. The owner must be under some sort of threat, such as eminent combat to use this power. People who have healed themselves in this fashion will feel numb and cold and the wound will burn with flames like The Retort's blade.

Once the immediate threat is ended, The Retort will try to extinguish itself. If the user wishes, they can force the blade to stay lit. The user will lose half their current hit points and will be unable to sleep, meditate, pray or study spells. The blade will remain lit for 24 hours, during which time, the holder cannot be healed by any means, except a wish. Wishing for healing will also extinguish the blade for a week, rendering it useless for that time.

If the wielder dies or is reduced to 0 hit points while the blade is lit, they cannot be revived, reincarnated or resurrected until they are physically separated from The Retort. If the weapon is taken up by another person, it will refuse to operate for the previous user. If the weapon is thrown away, it may return the prior owner. To prevent this from happening, the former user must save vs. magic.