Fifth Edition Dungeons and Dragons

Boxed sets are my gateway drug

I generally don't do 5th Edition reviews because I don't play 5th Edition much. There is a lot to like or dislike about 5th Edition. 

If you are just starting out, there are a ton of good reasons to jump into 5e. The main reason is rather simple. It's approachable and readily available to the new player. The artwork and mechanics are great and they are nice set of rules for this day and age. My son loves it and has started his gaming collection with new set of rules, which I purchased for him. 

One of my reasons for not using it is, I have collection of books going back to the Red Box set and beyond. My interest started with the Chainmail rules and expanded from there. I've filled bookshelves with games I will never play. I have an intuitive understanding of what all the major rules are in these sets. Yet another edition of games really doesn't add to what I have. 

E5, Labyrinth Lord and BECMI?
Your not kidding, eh.

The fact is, if you started at point x, you probably already an inkling of what rules x+1 would do to your gameplay. Way back in AD&D, I already had the concept of Feats and Skills as a house rule. I am not some sort of illuminary predicting the changes of the rules. Nearly everyone who played an older edition of D&D foresaw the power of the mechanics and started making changes to their gameplay as house rules. Many of these changes became standard features of the new editions. And many house rules didn't pass muster and were left behind. Here is a list of my house rules, most of which are dubious. 

As of this post, I am at 1030 post on fun and games. Lately, I've been exploring 5th Edition wondering which of any of these things will become the next generation's Red Box, Keep on the Borderlands or Isle of Dread. 

I have no idea, but I'd like to explore. And I hope you will join me. In the next series of posts, I'll be reviewing some of the 5th Edition rules. I figure this will run its course in less than 10 posts or less than 1% of everything else I've written. Because, I am that numbers guy.  

Science Phenomena to Pump Up Game Play

I am always a big fan of having realistic details of what is happening around my players to bring them into whatever world they are in. Each of these items is based on real-world technologies and phenomena. 

Real lasers are silent unless they hit something. But the power supplies are not. They can sound like a hammer on a metal garbage can. This applies to medical lasers. Talk about making a trip to the auto-doc scary. 

Industrial cutting and etching lasers are also loud, but more like a leaf blower because the beam is close to continuous. Again, it is the power supply and the drive required to move it around that is making the sound. This also ties into fashion. Characters messing with realistic lasers should always have goggles. If the tech level is high enough protective contact lenses would work nicely, too. 

Sun Outages can drive plot points. When a satellite delivering information to a ground station passes in front of the sun the information gets garbled. The ground station loses its a connection because the sun is such a powerful source of radiation. In the real world, this happens to cable TV satellites in the spring and fall. This is a consequence of their orbit's aligning Earth's tilt. For a week or so, the satellite's signal is garbled for about 10 minutes at a time. It can be described as sparkles, pixelated or fuzzy pictures, picture freezing, audio distortions, or even a total loss of the channel. 

Since these satellites are in high Earth orbit it only happens once a day. If the satellite was in a lower orbit, it would happen several times a day based on the period of the orbit. This is great for plots involving a bit of mystery on a semi-regular basis, say every 40 minutes but the duration would be much lower, as in a few seconds. 

Vacuum cementing is another phenomenon that can either stymie players or give them a power stunt. Two pieces of material will stick together in a hard vacuum as if welded or cemented together just by touching them together. This is a good way to force repairs using little-used skills to free moving parts. Alternatively, it can be used to add protective surfaces to objects to prevent or repair the damage with little or no skill and can use junk as a resource. Astronauts on the moon noticed this happened even to dust. 

By the way, lunar dust smells like spent gunpowder or cooked meat, which can be an interesting detail to freak out the players. Why this smell (and taste) occurs is a mystery today. It is transient. Lunar dust doesn't smell like anything on Earth. It could be the release of charged particles or a quick, short-term chemical reaction with water or oxygen. No one knows how or why it happens.  

I call another trick "Zinc-Clink". Zinc oxide sensors are used to measure the amount of oxygen around a sensor. If a sensor system gets some other material on it, say soot, it will believe there is no oxygen in the area and refuse to open the door. Again, players will have to resort to little-used or differently used skills to fix the problem. Say Vacc-suit or electronics. It's a handy way to slow the action down or pump up the drama because a hatch or door is misbehaving. 

In space missions, these zinc oxide sensors are used to detect damaging oxygen around the sensor, which is counterintuitive. Oxygen in space is bad for some equipment. 

I am also a fan of the idea of the Decadal Survey to land really sophisticated machinery in a small nook in the ship. In real life, the Decadal Survey is conducted once every 10 years and asks scientists to come up with very broad science questions to research. In ship terms, these research projects could place new sensors, small power supplies, and/or radios which are separate from the ship's normal operations. Think of it as an emergency lifeline for strange happenings on the ship. The crew would be versed in maintenance functions, so the equipment which is somewhat a "black box" would be understandable to the crew. 

One of the more interesting types of research could be atmospheric aerosol tracking, which could enable a ship to use an alternative method to track other ships. GRACE (Gravity Recovery and Climate Experiment) was a mission to look for gravitational anomalies (dense, heavy items) on the Earth's surface. In a sci-fi setting, it could locate shipwrecks, crashes, and other hidden items under the surface of a planet while also creating great maps. 

Don't forget to put the "science" in science fiction. 

Review - ORVIS by H. M. Hoover

Title: ORVIS

Author: H. M. Hoover

Year: 1987

Pages: 217

Rating: 5 of 5 Stars

Meet Tabitha and Thadeus, the proud owners of a lost robot named ORVIS. Except no one wants to own the poor little 'bot. Toby (Tabitha) and Thad decide to escape their parents and school to assist ORVIS find a home for himself. In the end, they discover the meaning of home and having care. 

While ORVIS is in the guise of a children's book, the topics covered are far more adult than Hoover's previous works. ORVIS is a former military robot repurposed many times. His final order is to destroy himself. 

ORVIS is not your standard combat droid. He's been to Venus and back. Think about that for a moment. The surface of Venus is hell, but the titanic atmosphere and relatively non-existent rotation would make launching from the surface more hell than hell. He is an indestructible machine with orders to end itself. 

Toby is a young woman with terrible parents who want upend her whole life by sending her offworld, alone. Thadeus is an orphaned spacer who will loses all of his friends if Toby leaves the school. The school is home, even though it is like "Hogwarts Community College".  

The obviousness of these three coming together for a common purpose is clear from the start. But their adventure leads them into scenarios beyond their own purposes. It forces them to consider the purpose of any man, woman or machine. 

Set entirely on Earth, these other-worlders explore what it means to have value and purpose with different eyes. 

I believe that this will end my series of H. M. Hoover reviews. I plan to write a retrospective post of these books in the near future. 

Books by H. M. Hoover on AbeBooks.

What's to Like About The Reign of the Empire, The New Republic and Beyond?

Disney's gots its hooks in Star Wars. That was a development that I never saw coming. So, what to like about this? 

Disney has a mix record on movies. With 5 in the can, only 2 are notable. 

Rogue One was excellent as it presented a very different take on the world. It nearly didn't make it judging by the refilming, but it was very good. It captured the ideas very well and threw a bunch of stuff at the audience that meshed clearly with the original film. I could have done without the bit at the end with Vader, but otherwise, it was a decent Star Wars story. Which was a good thing because "A Star Wars Story" was in the title. 

The next best film is also the most dogged. Solo. Again, this tried to diverge from the typical Star Wars setting it was very good in that respect. 99% of their battle was making people believe Alden Ehrenreich and Harrison Ford are the same person. That's a bad idea, but they did their best. It also suffers from the shoehorned villain ending. It was loaded with flaws, but was a passable story and fun romp. 

Ramming killer villains into the end of films seems to be the Disney Double Gainer. Usually Disney kills the villain in the end, but in these films they live. New ground, I guess. 

All the other live action movies wer dren. Yeah, I said dren. They were almost as bad as the prequels. 

But the prequels and sequels give a hint as what could be good about the Star Wars universe. There is a running concept in the newer Star Wars films and spin offs. The galaxy is strange. There are things you wouldn't believe out that. 

Now that's an idea right from the first film and occasionally Disney can nail it. 

Where Disney seems to get into trouble is Disney-fying things. Force Ghosts that act like people is a very bad one. Zero mystery anymore, they hang in the Force StarWarsBucks while waiting to drop knowledge on us. 

The other part is misunderstanding which movie the characters are in. Some of them are dead obvious like the need for fuel. More jarring is when they pull a classic sci-fi trope out and in dump it in the film, like Rey's Mirror Cave moment. It's good sci-fi, but bad movie making to assume that Star Wars is science fiction. It's more fantasy, but tightly defined fantasy. In introduces a lot of nonsense into films that don't have enough room for it. 

But what is good about these new creations? 

Before watching The Bad Batch, I went back to The Clone Wars series to see how they worked in that series. It wasn't a bad transition from one series to the other. The Bad Batch are introduced as anti-heroes to rescue Echo from the Separatists. In the end, they accept Echo into the misfit band. The entire ensemble are misfits, so Echo fits right in. They also diverge from pretty much everything else in Star Wars. 

Tech is a genius in a world that seems to be lacking them. Hunter is a low-fi tramp like character thrust into a high tech world. Wrecker is the team meat shield, apparently having survived many things that would normally kill people. He has a massive scar on the side of his head which is clearly going to haunt him. Crosshair is a stormtrooper who can actually handle a weapon. 

As divergent characters, they don't diverge much. Yes, they take off their helmets and armor, but in ways that make sense. They have mighty backpacks which seem to include a lot of the kit they need for missions. But aside from beefing up their profile, not much is made of them. They have interesting powers, but not that interesting. Tech is no more profound than Han Solo, but he has a better execution rate. Echo is basically a living R2-D2 which they already toyed with. Wrecker is a talking Chewie and Hunter is basically Luke without a lightsaber. The every dad.  

It remains to be seen what Omega and Crosshair will become. And that is actually the key to Star Wars. 

"What will you become?" 

Review of Into the Wild (Kickstarter Complete!)

Updated 4/29/2021. I got my digital copy and ordered my print on demand. This update changes very little, except to add the excellent artists names, page count and to provide links to DriveThruRPG. This one has also been added to my 5 of 5 star listings. Once I get my POD, it might shift to five gold stars.  

June Update - I need to re-review this based on the hardcopy I have. 

As happenstance would have it, I have been granted a couple of great opportunities this week. I have yet to back to a kickstarter and at no time in my decade or so on the web have I been able to review a product that is still in production. On Thursday morning, I got the chance to do both. God, I hope I don't screw this up. 

Let's have some transparency. Every since I was a kid, I have collected books. Not just any books, but galleys. These are preproduct books sent out to authors and editors so they may do their final proof before printing. Sometimes, they have to do this several times. This is essentially What Todd Leback has sent to me. I feel really comfortable with this format even though it is never something that you would see on a store shelf. 

Second, I have tested, playtested and been a part of study groups on a lot of consumer products. A ridiculously amount of products, everything from flossers to cameras to wargames. There is a reason why I am the way I am. :) 

And item C: I dropped a $20 on the Kickstarter. During this review, I am receiving updates from Kickstarter. I am ignoring those and focusing entirely on the presented copy for information. This will cause this review to age poorly in the next 28 days or so. Please check out Kickstarter for updates. (This project is done, you can view the Kickstarter, but I doubt further updates will be forthcoming.) 

Title: Into the Wild
Publisher: Old-School Essentials
Author: Todd Leback
Editor: Brian Johnson
Layout: BJ Hensley
Cartography: Todd Leback, Aaron Schmidt, Adrian Barber
Cover Art: Jen Drummond (jendart.com) 
Interior Art Adrian Barber, Dan Smith, Carlos Castilho
Artists: Is currently a stretch goal. TBA.
Year: 2021
Pages: 216
Rating: 5 of 5 stars. 

So, what am I reviewing: a Kickstarter or a book? Definitely, the book and only the book. Reviews, especially of unfinished products are best done by the numbers. Or the main questions: 

• Who is the author of the book?
• What is the idea of the book?
• Was the idea delivered effectively?
• What are the strengths?
• What are weaknesses of the book?

You'll notice that none of those things have to do with stars or ratings, and unlike my other reviews I have not offered a star rating at the outset. And I might not do so by the end. I have only had 48-72 hours to review the material so I have spent most of my time digesting rather than playing or planning. 

Todd Leback is the author of a series of books on Hexcrawling. He has also written on topics such as domain building and authored a one page dungeon. He started playing with the Red Box D&D set and enjoys the OSR style of play with family. This is his second Kickstarter and he runs a great Patreon page which provides 5-8 pages of Hex based content to his patrons every 3-4 weeks. 

Previously, I reviewed Mr. Leback's Hexcrawl Basics. 

The premise of Into the Wild is to bring several other publications together in one book and link those concepts to kick an OSR style campaign up to the level of domain play. Into the Wild is a 200+ page book which marries hexcrawling to domain building. These ideas came from many of his previous works, but this is not simply a compilation of text. These separate works are merged together seamlessly and are amplified. While some parts of the text are recognisable as being from prior works, they have been edited in away that allows the reader to flow from one idea that was a single book to another, which is different from a compiled collection or an omnibus. 

The book is based on Old School Essentials, but that merely means a tiny bit of tweaking is needed to adapt it to other OSR rulesets. 

The intent is use hexcrawling to engage players into a more complex style of play by bringing domain building into the fold and expanding on it with additional features that would interest high level characters. Mr. Leback does this in 200+ pages with  maps created in Worldographer. While this document was offered to me "with no art", it contains over a dozen maps which are illustrative in nature. Additionally, he also includes many tables and charts to simply and clarify the ideas in each section. 

Like Mr. Leback's previous works, copious examples highlight the various details of hexcrawling, weather, domain management, wealth and character options. This is one of it's strengths. Another good point is the fact that it required a great amount of table time to develop these ideas. Into the Wild shows it's table time very well. It is the product of many years of work and playtime by both the author and his audience. He has merged player feedback with his writing style to produce tight product based on the idea of play. 

One weakness of this work is that it introduces new ways of using DM provided data, which is an inherent flaw of all hexcrawling activities. It's not something you can simply drop into a campaign mid-stream without some sort of introduction. That is not a terribly big deal because hexcrawling and domain building are now "things" that players will understand. 

You could use Into the Wild for low level characters to engage in all the guts and glory type things adventurers do while also running a domain level campaign where a handful of high level characters interact the lesser characters on a larger, more regal scope. This style of play puts the players very close to the DM when it comes to planning, while still maintaining the general mechanics of D&D. 

All and all, this is an excellent book that will only be improved by the stretching nature of a Kickstarter. I look forward to seeing the completed work. 

Podcast Time Crunch: The Best Hour (or longer) Podcasts

I've been listening to podcasts for decades. It started with Astronomy Cast and exploded from there. 

I have a couple categories of podcasts I enjoy. Many are about gaming, but the rest cover science, history, travel and entertainment. 

Current thinking on podcasts is that 15 to 30 minutes is best. I'm inclined to agree, but my habits are not rational. Many of my favorites are all at or over an hour in length. 

Let's start with the shortest, The Dis Unplugged hovers at about an hour. This one is a weekly round table show on all things Walt Disney World. Hosted by Dreams Unlimited Travel, this podcast is definitely an ensemble performance. I love hearing all the different perspectives. It's been going on for years and they have a back catalog of over 1000 episodes. 

The Dreams Unlimited gang has many shows in different travel locations. They cover Universal, Disneyland, Disney World and tangentially, many other places. I tune in for the main show plus The Best and Worst of Walt Disney World and Si, Disney, their Spanish language show. 

SI, Disney isn't a translation of other shows, it has completely different hosts and guests and offers a more global look at the House of Mouse. Most Si, Disney episodes are under an hour but a few make the hour mark. They speak nice and slow which is great for me. My Spanish comprehension skills are years out of date. Unfortunately, it's a Youtube only experience, so I have to plan ahead if I want to listen offline. 

Moving on, The History of English podcast tells the epic story of the English language. It started off at about 45 minutes but now tops out at around an hour and 10 minutes. Kevin Stroud is an excellent host for this history-focused romp through the English language. Mr. Stroud starts off way back in prehistory with a multi-episode arc on Proto-Indo-European languages. Being a history of English, he rapidly blows through Latin, proto-Germanic, and other languages on the way to French, which is how many Latin terms came to the English language. He touches on linguistics, but this commentary runs alongside the history of the people who made English what it is. 

Additionally, he has an audiobook, The History of the Alphabet. You can get it on Youtube Music for free with your monthly subscription or purchase it at retailers like Amazon. 

Froth's Thought Eater podcast was an excellent blogroll of the OSR and D&D world. Sadly, he has his last show in the can. However, he has 200+ episodes in his catalog, so start listening now before he starts recording again. No promises here, but he has the blog at the link above and I wouldn't be surprised if we got a 5-minute update from time to time. 

Jeremy "Froth" Smith's format is around the blogosphere run down on everything happening in the OSR and gaming. It's quite the show. 

(I have to say thank you to Jeremy for all of the times he mentioned my website, These Old Games. Every time made my week... or more. Thank you, again.) 

I've written about Safco Cast, the Traveller game themed show. This baby tops out at 90 minutes and it is excellent. Hosted Jeff Koenig and Bob Loftin, the back and forth chat reminds me of Astronomy Cast's Pamela and Fraser. But that's not all, they do interviews and game recaps. It's awesome!. 

I have to be honest, I suck at Traveller. I don't play it unless I'm a part of group of longtime players. I don't understand one bit of it, but Jeff and Bob make me want to grok it. I sort of get it when listening and incorporating some of the ideas and methods used for the game always seems to improve my D&D campaigns. 

Finally, the big one. 

Mike Rowe's The Way I Heard It started as a short 15 minute, Paul Harvey-style podcast that morphed into so much more. Hovering around the 90-minute mark, the show includes great stories and writing plus interviews on a great number of subjects. In addition to the regular stories and guests, Mike has been reading his autobiography chapter by chapter. 

Tune and engage, it's a lot of fun. 

Soon, I'll be looking at some other, shorter podcasts.