GURPS Uplift

Title: GURPS Uplift, Second Edition
Author: Stefan Jones and David Brin
Year: 1990
Rule set: GURPS
Publisher: Steve Jackson Games
Pages: 128
Rating: ★★★★★

Ok, I am taking a break from novels and switching to games to review. This one is a trick review. I don't play GURPS, I've never played GURPS. It's not that I don't like it or anything, it is merely outside of my experience. 

Having said all that, I'll point to that 5-star rating right now. 

Here is what I know: GURPS or the Generic Universal RolePlaying System is one of the most, if not the most successful RPG using a common rule set for a variety of settings. To get the most out of this book, you'll need The GURPS Basic Set, and players will find a lot of help from GURPS Space and Ultra-Tech. All of these are available through the links at DriveThruRPG. 

Hopefully, from my reviews of Sundiver, Startide Rising, and The Uplift War, you have gotten a sense of the types of stories David Brin weaves in his Uplift double trilogy.  From David Brin's forward, Brin is an avid gamer and was interested in doing a series where players' actions were complicated and nuanced. This was written in 1990, but as I flipped through this work, I see that there is information that would not have been available to those reading the novels at the time. It's not a huge amount, but it is interesting. Gene raiders, Jopher, and E-space come to mind. 

The author, Stephan Jones breaks the book into 8 sections, starting with The Uplift Universe and moving to more and more detail with characters, which include some pre-generated characters from the novels. From there, we dive into the culture in the chapter Family, Friends, and Foes, before digging into the concepts of Uplift. The last four chapters cover the various forms of technology and travel plus two chapters about campaigning and adventures. 

The entire book has dozens and dozens of pictures, all of them pretty standard for the 1990s. The main advantage of these images is it depicts what Brin described in the book. I don't foresee a series of movies based on these works, but Xandar in the Marvel films is kind of close. 

While I already mentioned that I am probably unqualified to rate the rules in this set, I do want to focus on some of them because of the setting. In Brin's Uplift series, the sophonts are living on the bleeding edge of technology and biology. 

The cover depicts a dolphin in space, after all. 

In some ways, there is little to differentiate technology from biology and dolphins are a prime example. They have walker shells and manipulator arms that they wear on land or in space. They suffer very little from their environment, although they can't climb trees. The rules make sure that some of these odd cases are outright disallowed but in some edge cases are perfectly plausible. For example, Chimpanzees are rotten swimmers in real life, therefore Chims in the Uplift world don't swim at all. 

Brin stuck to the basics of reality when coming up with these limitations and they are all well thought out in this book and the novels, even the fantastic ones. Jones continues that in fin fashion. Dolphins were known to use tools back in the 80s, so robotic arms are not so fantastic. Chimpanzees were once thought not to swim, but it appears that they may not be the strongest swimmer but can if they desire. They also possess an ability that humans don't have, they can sink to the bottom so they can walk and hop through deep water, like a human in a wave pool. It is unclear if Uplifted Chimpanzees can or can't swim, the ones depicted in the novels don't like to get wet and usually take to trees rather than going down into major water obstacles. What is interesting in the books is, so Chims are mortified if they startle and jump in a tree or other perch for safety while others view it as a tried and true escape tactic. 

These approaches to games are great. I've almost sold myself on a set of GURPS books. I hope I sold you, too. 

The Uplift War by David Brin Review

Title: The Uplift War
Author: David Brin
Year: 1987
Pages: 462
Rating: ★★★★★ 

"Sometimes I wish I could boldly go where no man has gone before... but I'll probably stay in Aurora." Garth. 

Sorry, wrong Garth. 

Garth is the next world we visit in the Uplift Trilogy. As the hunt for the Snark Class Streaker expanded, the war cut off Earth from its colonies. Garth was one of those colonies. Predominantly populated by Chimps or uplifted Chimpanzees, the planet must fend off the invading Gubru, a vicious avian clan of galactics. While Garth had a large population of Chims, many other clans were represented. The story uses the word Chims collectively, so I will stick to that moniker for the rest of the review. 

In order to secure their hold, the Gubru indiscriminately used hostage gas on the planet. Any humans who breathe the poison were forced to turn themselves in for an antidote. The client Chimpanzees find themselves without their patrons and allies. 

Of course, no plan is perfect and a handful of heroes escape the planet-wide gassing. Fiban, a Chimpanzee officer loses his spacecraft in the brief battle for the planet, crashlanding in the wilderness. Robert, a human child of the planetary council members escapes with Athaclena, the daughter of Uthacalthing, the Tymbrimi ambassador to the planet. Uthacalthing himself was shot down fleeing the main city with Thennanin ambassador, Kault. 

These unlikely compatriots engage in a certain type of warfare which shall not be named, using ambushes and diplomacy to wear down their Gubru invaders. As the story plays out, Athaclena and Robert work with the Chimpanzee irregulars while Fiban's team performs recon for the ah... guerrilla force. Uthacalthing ran the Gubru and Kault through the countryside on a wild goose chase for a legendary pre-sapient species never before seen on the planet. 

Garth is a sad backwater planet granted to Earthclan for ecological recovery. Humans have a talent for ecology having pulled themselves back from the brink of planet-wide pre-contact disaster. Poor Garth's previous tenant devastated the planet by hunting most species to extinction. Rumors of the pre-sentient species in the wild are a type of improbable, magical thinking that seems to attract all who wish for order and better outcomes for Garth. 

Whoever restores the ecological balance to the planet takes not only the planet but also gains a client species for their clan, a great honor to all of galactic society. Unfortunately, Bururalli, the last tenants of the planet destroyed any hope of restoration with planet-wide slaughter. There was no way any large, pre-sapient species could have survived the holocaust. 

Where Sundiver gave the reader a host of alien species and Startide Rising expounded on their way of thinking and beliefs, The Uplift War really digs deep into the ways and minds of Humans, Chims, Gubru, Timbrimi, and Thennanin. 

The reader will be surprised as to what Humans have become in the face of these threats and delighted by the charm of the Chimpanzee heroes. Through Robert and Athaclena's leadership and love, the reader is given yet another study of both the humanity and alienness of the world he describes. The prank-loving Tymbrimi possess almost superpowers with their powers of adaption and a nearly biological form of empathy or weak telepathy, which is distinct from actual psi powers in this series. Both the Gubru and Thennanin are conservative, dour enemies of Earthclan. 

In the Startide Rising, the antagonists are portrayed as ruthless and bloodthirsty. In The Uplift War, the Gubru and Thennanin are revealed to have passions that drive them. While the Gubru are honor driven, the Thennanin are impassioned by service and preservation of all life forms, great and small. At least in theory. As these plays of honor and love of all play out, the aliens seem more frightening for all of their similarities to Earthlings rather than their differences.  

In my past few readings, I cannot help but notice how unfixed certain tropes are in time. If I wanted to pin the idea of jaded, sarcastic, carelessness on a time period, it would be the 1990s. This trilogy has that in spades in the middle of the 1980s. The Thieves World books show some of the same from the late 70s. Clearly, ideas take time to foment. 

I only mention this because this novel appears to have a serious moral/values dissonance depending on the reader's outlook when reading it. The Gubru strip the Chimpanzee's patron and allies from the picture in the hopes that a young client species will relent and surrender to an obviously powerful patron class invader. The author, David Brin takes an extreme form of "show, don't tell" which can leave the moral of the story very ambiguous. If you read too much into a single plot line, it will appear that the Gubru are correct that chims are a lesser species ripe for domination without their patrons, however, there are several other plotlines and details which lead to the other opposite conclusion. 

I've read this book several times and often wonder which group is snider: humans, chimps, or alien zealots. It's hard to tell some days. It's odd when the author embroils a reader so deeply into the universe that the whole meaning and moral of the story is really in the eye of the beholder. 

Of all of the Uplift books, I like this one best as it contains a coming-of-age story similar to any of H. M. Hoover's works. The best part of my childhood was taking a rank of some real-life skill, and most often these rank takings were most memorable when I was young and coming of age myself. I love that sense of self-discovery. 

Again, if you can't find this title at a local book store, you can find The Uplift War at AbeBooks. 

Startide Rising by David Brin Review

Title: Startide Rising
Author: David Brin
Year: 1983
Pages: 462
Rating: ★★★★★

Startide Rising was the book that introduced me to the series. Being that this novel is not expressly linked to the first one left me confused as to where this series was going. 

Anyway, Brin starts this book in the middle of a mess. The Earth ship Streaker was running for 10 different kinds of trouble. Crewed by 150 dolphins, seven humans, a savvy and wise AI and a socially awkward chimpanzee, the Streaker's mission was to research data provided by The Library, an alien font of all known knowledge. 

The Library is an interesting piece of technology sold to Earth Clan. It was advertised as a completely unbiased cache of all information known to the citizens of the Five Galaxies. Brin's use of this device to drive the plot was excellent. The machine is persnickety, offering a deluge of information not really pertinent to anyone's needs. Its reactions to who asks the questions and how came across as maddening. 

It doesn't take long for humanity to grok that the Library was a great booby prize that came at a greater cost. Captain Creideiki's mission was to pick away at the cache's information and find flaws. He immediately scores a win for humanity with the discovery of The Shallow Cluster, the resting place of thousands of ancient alien ships, many of which have mummified crews. During the course of the mission, the Streaker suffers its first loss when the Captain's Gig was destroyed in an accident, claiming the lives of many brave fins. 

Even in their loss, the crew make wonderous discoveries and transmits their discoveries to Earth. The answer was as timely as unexpected: 

“Go into hiding. Await orders. Do not reply.”

Soon the Streaker and her crew are fighting for their lives. Thennanin, Soro, Brothers of the Night, Tandu and dozens of other fleets of battleships engage the tiny Streaker. Creideiki orders the Streaker to a distant, fallow system named Kithrup to hide and make repairs. Kithrup, a water world offers mobility and safety for the dolphin crew while exposing them to the danger of metal-rich poisons. Their refuge was also a death trap. 

As the fleets hammer away at each other over a period of a month, the crew succumbs to primal urges and fractures. The array of responses are both typical, fight or flee and unusually, devolve to presentience or mutiny. The humans and the Captain struggled to keep everyone in line as they hatch a plan to escape. 

Under a sky of enemy ships, the Streaker made repairs and ploys to allow them safe passage from the system. As if the original discovery wasn't enough, the Streaker's crew unlocks several mysteries of Kithrup's past. As the battle rages around them, the crew bravely draws their opponents to the surface before making a heroic attempt at escape.  

Startide Rising is a strong second novel in the series, one of the strongest follow-up works I have ever seen. Brin does world-building on an epic scale while amplifying the sense of frustration and isolation of the claustrophobic Streaker. 

This was one of my favorite novels when I was younger. I'd love to say that this one was my favorite of the Trilogy, but the next novel in the series is my hands-down favorite. Both are excellent reads, hence the tied score of 5 of 5 stars. 

Again, your best place to find this title is a local used book store, but if you can't find it there, I suggest AbeBooks. Click this link to search for Startide Rising on AbeBooks. Results are sorted from lowest price to highest. 

Sundiver By David Brin Review

Title: Sundiver
Author: David Brin
Year: 1980
Pages: 340
Rating: ★★★

Sundiver by David Brin is the first book of a trilogy that birthed a second trilogy.  

For those of you on MeWe.com, you friend the author right here. For those of you who don't know, David Brin is an award-winning author, scientist, and futurist. He has even jumped on board with games, GURPS Uplift. It is sadly out of print, but an informative read even if you have no inclination to play GRUPS. It's that excellent and will be the subject of a future review. 

Sundiver has a couple of high-interest points being the first of two trilogies. First, it lays the groundwork for the Uplift series by introducing a horde of aliens. There are actually two different types: the Terrians, and the Galatics. At least this is how I think of them. 

Earth evolves pretty much as you would expect for near-future science fiction. Engineered solutions are the way humans work. Brin described space needles fueling a new space race as the primary vehicle to introduce the main character Jacob Demwa. We'll circle back to him after we get through the tech. Terrians have also found clean energy and skill sets to fix the environment. It alludes to that they launched some sort of interstellar ship, but we don't see that in this series. However, the capstone of Terran achievements is the uplift of chimpanzees and dolphins to human-level intelligence, with other creatures like whales and gorillas waiting in the wings. 

The galactic aliens are a vast and varied culture spanning 5 galaxies. There are more species than appear in all of Star Wars and Star Trek combined. The core defining feature of these aliens, which is held on to almost as a religion is stewardship of the environment and the uplift of lesser species to sapiency. This pattern was created by the mythic, almost godlike Progenitors. Woe until those who do not believe. 

The book lands the reader in a disaster of epic proportions. Many galactic hate Terrians because they violate the tenants of their religion: "Who uplifted humans?" 

"No one," is the wrong answer.  

They have a secondary hatred of humanity and its kind as humans have shown great achievements of uplifting not one but two client species with two or more waiting in the wings without any help from a patron. The dilemma for the aliens is really clear, humans defy and prove their central beliefs. 

Not all aliens are bloodthirsty killers. There are some who are curious about earthlings and others who are willing to bide their time in picking a position. A few position themselves in such a way as to annoy other aliens for profit, politics, and fun. The galactic aliens nail a few tropes without being any singular one, which is very interesting. 

Now, I can introduce Jacob Demwa properly. Jacob is a classic Tinker Tailor Soldier Spy character. He is a scientist working on refining the dolphin species uplift, a dabbler in other scientific fields with a warrior's heart, a ton of savvy spycraft, and a network of alien friends and enemies plus a big personal problem.  

As previously mentioned, some of the aliens take a long view of humans and have sold them a ship capable of traveling to the sun. Surprisingly, the Terrans upgrade this ship with standard, non-standard human tech and moxie to make it a Sundiving ship. As in, one that can travel into the upper atmosphere of a star. Stunningly, they discover a sort of ghost, hereunto undiscovered species by any galactic culture. Alien adventurers, scientists, and miscreants pour into the solar system just for a chance to take a ride of discovery on the Sundiver. Some hope for a new form of life catalog or a new path of spirituality, if they are ghosts, are real while most hope to see the humans burn in shame from chasing imaginary beings.  

The cruises below the sun's surface are wild, while the crew and observers are even stranger. As the ghost story progresses, Jacob Demwa must use all of his skills to keep the aliens in their lane while preserving the ship's crew on its journey. It's a rough ride, to say the least. Notably, Jacob is not the captain of the ship or even a member of the crew. He is an outside consultant.  

This novel is interesting as it is not required reading for the rest of the series. It's a strong stand-alone work which both compelling and fun to read. Brin totally nails it with Sundiver. 

Now for a few months, I've been listening to books on Audible, an Amazon company. I lost my Amazon associate account for sharing links on my blog. So, I can't point you to a link on Amazon. So, I have been suggesting people look for these books at their local bookstore, which is great if you have one. If you don't find what you need there, you can probably find  Sundiver on AbeBooks at a good price.

I haven't had many takers on the links to AbeBooks, but it's always there if you need it.

Obi-Wan Kenobi Episode VI Reveiw

This evening, I had a chance to watch Obi-Wan Kenobi, Episode VI. 

Now that this thing is over, I can't wait to start spending some time playing games. This evening, I mulled over what I saw while weeding the garden. 

I mention the garden because that is what a long-time series becomes. What came before is recycled into what comes next. However, in shows like Obi-Wan Kenobi, the creators have to thread the needle. Can you plant one more thing between what the viewer knows from before and knows what came after? 

The show cannot upset what happens in either direction. Obi-wan can't really change from what he was, nor can a lot of new characters pop up without causing a disruption in the original material. 

In this show, they manage to do things nicely. Roughly, but nicely. 

They had to run with the Inquisitors because of the background already established. I personally think it was a bad call to let the Grand Inquisitor get benched for a while, but this pushes a more modern, realistic view of combat. 

Back when I was a kid, I wasn't sure what a lightsabre could do because they actually didn't say. Loose hands for sure. Being cut in half wasn't an option. They didn't do that back in 1977 or any of the 80s. Personally, I thought that perhaps a lightsabre had a stunning feature. Not many characters went to the ground in a splatter of blood. 

In this current iteration of the Star Wars story, we get into what happens when someone gets tagged with a lightsabre. Many people get stabbed, but for some stupid reason, they don't stay down. That really isn't surprising as the Empire has monopolized everything, including medical care. However, old-timers like me want to believe that one good sabre strike is the end. Not especially realistic, but reasonably based on the first 3 films. 

Two things that this point of view does not take into account are easy and cheap special effects plus most of the people doing the stabbing are sadists. They didn't mean to kill, therefore they didn't kill anyone. Mmm. Unsatisfying as it is a completely different type of character and process than what the viewer is used to. The cheap special effects are cool to look at but often don't further the story because the story wasn't about a body count. 

One thing this last episode does well, mirroring the original films, is what I call "IF-THEN" storytelling. Star Wars rarely invokes "simultaneous" events. We see the clock progress as this bit then that bit. Maybe they happen at the exact same time, but the audience doesn't know it and doesn't need to know it. This episode uses that in spades. 

At the outset of this episode, all of the teams are together. Vader and the Inquisitors, Ben and Leia, and poor Reva out on her own. It doesn't take long for Ben to leave Leia, Vader to ditch the Inquisitors with Reva limping along on her own. 

Divided, the matchups begin with Ben and Vader's duel being the most exciting. As their duel progresses, Leia finds her way home, and Reva finds Owen and Beru. But the storytelling doesn't make it explicitly clear if all three of these events are happening at the same time. It's actually refreshing knowing that the incoming calvary charge doesn't have to be timed to the millisecond. The heroes get there when they get there because that is what heroes do, not because they planned it that way. 

The storytelling creates these opportunities. And in this particular episode, that is all the story has to do. We get all that was promised at the outside of the series, a rematch between Vader and Ben. It was well done and satisfying. 

Beyond that, nothing else is needed. I don't see any word on a season 2. This was promoted as a "mini-series", so there may not be a strong need for season 2. The other part of it is Obi-Wan Kenobi was supposed to be a movie. This series was maybe 4 and a half hours. Chopping out an hour wouldn't have done the story any favors and perhaps adding an hour would not have given the viewer more quality. 

I thoroughly enjoyed it. I don't care if there is another run of the show, as I felt this really satisfied. Plus there might be a chance that the new Ahsoka Tano series could give us another glance at Anakin and Ben in a different way. 

Obi-Wan Kenobi Episode V Review

 Welcome back. It's Episode V. 

Watching the episode. I finally caught on to the Roman numeral labeling convention. So will this episode be similar to The Empire Strikes Back? 

A little bit. There are all kinds of backstabbing and payouts in this one. First, Reva is promoted to Grand Inquisitor. After tracking and cornering Ben and Leia as they journey down the path, Kenobi negotiates with her to buy some time. During this encounter, Reva reveals her connection to Vader and the Jedi. 

This episode is short and sweet. While Vader engages in a very brief siege of the proto-rebel base, we get a smidgen of development in the form of flashbacks of Anikin and Ben training. These scenes are pretty and forward the story in the current episode. There were light touches of de-aging, but mostly the script runs MacGregor and Christensen as they are. Angles and makeup appear to be the main tools of youth. I liked it as it avoids the uncanny valley which tends kick in hardcore when you see a sudden age jump as decades are shed in seconds and minutes. It was a good call. 

Anyway, Reva's role in this story is revealed. She is the stalking horse, the creature that obscures the real threats. Interestingly, everyone knows this but her. One backstab after another knocks Reva back to her lowly spot in the gang of Inquisitors. This was a far better play than the typical promotion equals death that tends to happen in these stories. 

One other quirk of this episode is the treatment of weapons fire and injuries. It has a lot more in common with the rough Rogue One film than it does in the original films. First, there are a few people with physical shields used to block blaster fire. It works, but not really well. Second, we learn that lightsabre strikes can be either really deadly or maybe just a flesh wound. Vader himself has shown what losing a limb or four does to a person. Given the medical resources of the Empire, there must tons of scarred and grizzled stormtroopers. Anyway, if you get shot or sliced, it appears that being in the Empire might help more than a rag-tag bunch of rebels. 

All in all, this episode ran quick. 40 minutes felt like 15. 

Ms Marvel Episode 1 Review

 
Ms. Marvel... I had to Google this one a few months back. On doing a bit of background research, I came to the conclusion that being a 50-year-old, white, bald, fat guy, with children, I was not in the demographics of this show. 

A truer statement could not be made. 

So, why review it? I watched the first episode and I hate it. And it's great! 

I'm going to ignore the whole writer's team and Disney aspect for a while and just talk about the character. Who, what, why, when, and where. 

The young woman who is about to take on the mantle of Ms. Marvel is a 16-year-old, immigrant from Pakistan living in Jersey City a few years after the blip. I am foggy on the whole Marvel timeline, but this is 5-10 years in our future. She has a loving family, goes to a good school, and is surrounded by excellent, well-meaning people and a crowd of folks who don't get her. 

The problem with Kamala Khan/Ms. Marvel is, there isn't a lot to grok about her. She's 16 and she loves superheroes. Who doesn't? 

Well... my wife. 

Out of this one-dimensional girl, we get 45 minutes of high school high-jinx. Not your typical TV high school high-jinx, but a series of characters who are loving caring people who just want the best for Kamala, which does not include a high fashion superhero get-up. Ya, know, typical adults and well-balanced friends. 

It's ground-breaking but not particularly woke or whatever. It's rock-solid writing by the staff. The characters seem like fully formed real people, which serves and progresses the story well. I am beginning to suspect that this is not a superhero story at all. It's a coming-of-age story, where superheroes aren't what you think they are... important. 

Because this TV show doesn't fit in the mold of a superhero origin story, it actually does very well. It's odd and offbeat. Superimposed on the surface of the show are all of Kamala's hopes and dreams, in cartoon form. The production quality of these interjections suffers from a rare problem. The quality is too good. It's not especially distracting but somehow fails to integrate with the characters and story. When the actors are asked to act out these imagined plot lines, the show really shines. The humor and delivery are a lot like Ant-Man, which is not a bad film to emulate. The results of these live action intercessional pieces pay handsomely, like little nuggets of gold. 

If this was a full-length feature film, I'd stop right there. Five Stars. 

But it isn't a feature film. Ms. Marvel is one of these odd 6 part mini-series on D+ which may or may not develop into a full series. That is baffling in my mind. 

We are on to Disney. I totally understand why they picked this format. Fear of Failure, plain and simple. "We meant to a 6 piece storyline, and we're done. We don't have to do more." vs. "Wow, this sucked. It was a bad idea and it's going in the garbage bin." 

I'm looking at you, Falcon and Winter Soldier. It had a lot of potential, but after a while, I pulled a Bender and shouted "Do a flip!". Horrible that I feel that way. It really had potential but didn't stick the landing. And Disney doesn't have to worry because it was just a mini-series and nothing "important". Just filler content for a new streaming service. 

So, we have a superhero show that isn't really about superheroes. Disney nailed the meta on this as superheroes are an ever-present feature of Kamala's world, but have nothing to do with who she is. Her friends and family are who she is. 

There is a gritty narrative under the surface, about what worldwide disasters (Covid... the Blip, pick) do to children. When it comes to kids, it's beginning to look like telling them made-up fears screws with their perception of the world and colors them for life. 

I survived, the Cold War, the Next Ice Age, AIDS, Y2K, Global Warming, COVID... the list goes on and on. I survived, you survived because none of these are really world-ending events. Not even close. Sure we've got bombs that can turn a patch of earth into a glass as hot as the sun, but we are humbled by the fact that we cannot build enough to damage the planet in any meaningful way. Sure, lots of people die but life goes on. 

Ask the birds, formerly known as dinosaurs. 

Thankfully, Ms. Marvel keeps this concept on a low simmer. You can see it, and feel it, but isn't directly addressed. The viewer merely needs to know that's a thing. A big thing, an ever-present thing, but not the topic of this story. 

So, here we are with a character and story that refuses to be deconstructed like a superhero comic. No tragic backstory, no war, no calamity but one. And it's an amazing calamity. 

Kamala shows up at Avengercon and meets her arch-nemesis, a tall blue-eyed, blonde-haired classmate that loves Captain Marvel as much as she does. And how does that go? Both girls' biggest dreams and worst high school faux pas of showing up in the same outfit come to pass.  

Instead of being a monster, Blonde Captain Marvel walks up to Pakastani, Muslim Captain Marvel gushing with joy, not anger, not jealously, but straight-up joy. Because normal humans don't get angry when meeting their dreams. 

This whole episode reminds me of every parent-teacher conference I've ever hosted. You know, the one where I have to tell a parent that their child is good, well-behaved, caring, driven, compassionate, and is a pleasure... no, a privilege and an honor to have in class which garners the response: "But B in math..". Screw the math, your kid is amazing because you are awesome parents. These conferences happen way more often than you could possibly know.  

As much as those students aren't my children, this show is not my show. Disney needs to get real and not "do the math" on this series. It's meant for kids, it's meant for a particular class of kids, and they should be damn happy to have it. If they do the math, this will end like Firefly, and I wouldn't wish that on anyone.

So let me end by slamming the door on future reviews of this show. 5 stars, but it isn't for me. Unless something changes, there doesn't need to be another review. 

The End. 

Oops! Obi-Wan Kenobi Episode 4 Review

This week flew by. In fact, I thought Thursday was Wednesday. It isn't. 

So, here is this week's review. 

This episode stars Reva, Kenobi, and Leia, with a brief visit by Vader. This episode picks up where the last one ended, Ben and Vader are in serious need of healing. Our old friend the Bacca Tank appears in two different forms. 

Meanwhile, Reva has Leia where Leia wants her. The little princess tries to dance with the Inquisitor and does a remarkable job at it. Unfortunately, too many hijinx with the dark side end up in pain and torture. A child couldn't see that coming. 

Moses Ingram is an excellent villain and foil to Leia. They manage to verbally box each other into surprising corners. Ingram as Reva reveals an incredible amount of understanding of Leia's situation and makes many plays at getting the child to reveal some secrets. It doesn't work, because Reva is an Inquisitor and lets her passions get the better of her. 

The scrappy heroes throw together a terrible plan to invade the Sith Castle in the Mustafar system to free Leia. Indira Varma aka Tala takes the lead and runs the mission save the girl from certain death. I find her very boring, which is actually excellent. She's a spy, she's too dull to notice. It works for me and works for Kenobi, too. 

Much of the rescue involves a series of callbacks to other shows and movies. From the prequels, we get a water world and a tiny breathing mouthpiece. I mentioned the Bacca Tank already, it was used to creepy good effect. Ben tricks stormtroopers with imaginary noises while Tala leaves her communicator on a table like C3PO. My favorite is Ben savaging two stormtroopers like Ahsoka Tano did in the Mandolorian. Snowspeeders make a comeback. 

While I found this episode to be lackluster, the real star is The Force itself. Or at least how it works. At various points, people use and misuse The Force to disastrous effects. Reva finds out that it doesn't work on people who are telling the truth or are at least not telling a lie. Leia also finds that she can protect herself from imagined threats by belief, but all the belief in the world doesn't protect her from getting kicked around. Vader and Ben discover that being aware of each other is rough. 

This sort of undoes some of the worst Force appearances in the most recent 3 films. First, it makes a precedence for telepathy or at least extreme clairvoyance. We got that through "feelings" in the original films, through blurry images in the prequels, and in the last 3 films, full-on mind-melding. Ben and Vader engage in it in an unwelcome and disturbing way, which support's Vader's anger and Ben's fears. 

It also shows how useless The Force is when one cannot imagine the true events occurring. This is greatly amplified when a dark-sider doesn't have the focus or enough information to act, yet acts anyway. It is a slight nod to Ben Solo being a stupid villain, meaning someone who had zero awareness of their actions and how they would be taken by others. 

Personally, I loved Kylo Ren because he was not a Sith Lord and was not bright at all. It was really shocking to see someone completely out of control for no good reason other than that was simply what they were. This is kind of in the vein of Shakespearean villains who engage in evil stuff because they are evil, not because anything special happened to them. 

I'll give this episode a smidgen over middling. 3 of 5 stars.